#copied most of the description from wikipedia . sorry
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two of him
[ image desc: two pictures of laughing doves (Spilopelia senegalensis) seen outside of a window. the laughing dove is a long-tailed, slim pigeon. it is pinkish brown on the underside with a lilac tinged head and neck. the head and underparts are pinkish, shading to buff on the lower abdomen. a chequered rufous and grey patch is seen on the sides of the neck and is made up of split feathers. the upper parts are brownish with a bluish-grey band along the wing. the back is uniform and dull brown. the tail is graduated and the outer feathers are tipped in white. // end id ]
#copied most of the description from wikipedia . sorry#low spoons#but i felt like adding some detail to how they look ..... theyre so pretty .....#♜ — doves !#🌙birdposting
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Where do you find these manuscripts? Is it like a website or do you find it randomly??
hey, thanks for the curiosity! lenghty answer below the cut :)
1)
medieval manuscripts are typically owned by libraries and showcased on the library's websites. so one thing i do is i randomly browse those digitized manuscript collections (like the collections of the bavarian state library or the bodleian libraries, to name just two), which everybody can do for free without any special access. some digital collections provide more useful tools than others (like search functions, filters, annotations on each manuscript). if they don't, the process of wading through numerous non-illustrated manuscripts before i find an illustrated one at all can be quite tedious.
2)
there are databases which help to navigate the vast sea of manuscripts. the one i couldn't live without personally use the most is called KdIH (Katalog der deutschsprachigen illustrierten Handschriften des Mittelalters). it's a project which aims to list all illustrated medieval manuscripts written in german dialects. the KdIH provides descriptions of the contents of each manuscript (with a focus on the illustrations), and if there's a digital reproduction of a manuscript available anywhere, the KdIH usually links to it. the KdIH is an invaluable tool for me because of its focus on illustrated manuscripts, because of the informations it provides for each manuscript, and because of its useful search function (once you've gotten over the initial confusion of how to navigate the website). the downside is that it includes only german manuscripts, which is one of the main reasons for the over-representation of german manuscripts on my blog (sorry about that).
3)
another important database for german manuscripts in general (i.e. not just illustrated ones) is the handschriftencensus, which catalogues information regarding the entirety of german language manuscripts of the middle ages, and also links to the digital reproductions of each manuscript.
4)
then there are simply considerable snowball effects. if you do even just superficial research on any medieval topic at all (say, if you open the wikipedia article on alchemy), you will inevitably stumble upon mentions of specific illustrated manuscripts. the next step is to simply search for a digital copy of the manuscript in question (this part can sometimes be easier said than done, especially when you're coming from wikipedia). one thing to keep in mind is that a manuscript illustration seldom comes alone - so every hint to any illustration at all is a greatly valuable one (if you do what i do lol). there's always gonna be something interesting in any given illustrated manuscript. (sidenote: one very effective 'cheat code' would be to simply go through all manuscripts that other online hobbyist archivers of manuscript illustrations have gone through before - like @discardingimages on tumblr - but some kind of 'professional pride' detains me from doing so. that's just a kind of stubbornness though. like, i want to find my material more or less on my own, not just the images but also the manuscripts, and i apply arbitrary rules to my search as to what exactly that means.)
5)
whatever tool or strategy i use to find specific illustrated manuscripts-- in the end, one unavoidable step is to actually manually skim through the (digitized) manuscript. i usually have at least a quick look at every single illustrated page, and i download or screenshot everything that is interesting to me. this process can take up to an hour per manuscript.
---
in conclusion, i'd say that finding cool illuminated manuscripts is much simpler than i would have thought before i started this blog. there are so many of them out there and they're basically just 'hidden in plain side', it's really astounding. finding the manuscripts doesn't require special skills, just some basic experience with/knowledge of the tools available. the reason i'm able to post interesting images almost daily is just that i spend a lot of time doing all of this, going through manuscripts, curating this blog, etc. i find a lot of comfort in it, i learn a lot along the way, and i immensely enjoy people's engagement with my posts. so that's that :)
#if you ever have any specific questions about any of these tools or my strategies feel free to ask or dm me#i'd also be interested in recommendations of databases that are specific to other languages/regions that are neither german nor english#preferably with a focus on illuminated manuscripts#or useful databases that are just not very well known#ask#medieval art#medieval studies#btw @anon sorry for only getting around to answering your ask now#and re: your following message. first of all never apologize for your english skills. like ever#it's a daily struggle for me as well tbh. i never post anything without german/english dictionary tabs open lol#and i feel like i 'owe' it to the tumblr blogger format to write in smooth english#secondly your question wasn't dumb at all! i'm glad somebody asked :)
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hello, on fanlore dot org is there such a thing as too many stubs or too many related fanworks on a single page? or is there some sort of ideal number or reasons/guidelines for related fanworks? (off topic: there seems to be a lot of "holes" wow.) also, are there any fandoms you all are more interested in than others or any "less important" or "wrong for here" kinds of fandoms? Also is there anyone available to ask about, say, how to split up pages into sections, or split things into new pages etc? hope you are having a nice day!
WE CAN NEVER HAVE TOO MANY STUBS. We have all of "Stub September" when we encourage people to make more of them! All the stubs is good! Moar stubz plz!
(err. sorry. Is just. More content is better then less content; stubs are better than no pages.)
There are a LOT of holes. Especially in newer fandoms. We need a thousand new editors throwing random content into Fanlore. Gardeners can clean it up. We don't care about grammar, page structure, timelines, any of that - We can fix badly-written pages and even research extra details (dates, URLs, etc.) but we can't make content about topics we don't know.
Fanlore, unlike Wikipedia, does not have a "notability" requirement. Does not have a "receipts/references" requirement. We know that much of fandom is in small communities, is not recorded outside of those communities, and the only references might be "a forum that dissolved six years ago" or even "someone remembers this paper zine but nobody seems to have a copy."
(And while that could be taken as "ahahaha I can just make shit up!" err... no. Fanlore does have a pack of editors and staff that watches the content. We remove things like "obscure actor puts their bio and movie list on Fanlore to increase their searchability.")
We don't have a list of "most wanted fandoms." (And the "wanted pages" list on Fanlore is a wiki-software generated list of "the most empty links" - most of them are individual fan names.) I made a list, at one point, of stuff I think Fanlore is particularly weak in:
Many current megafandoms (too many to list - right now that includes Genshin, Untamed & the rest of MXTX, BNHA, FNF, FNAF and video game fandoms in general, etc.), modern zines (the ones planned & sold entirely online), all things TitkTok, notable Discord servers (although, again, no notability requirement - if you want to make a page for a fandom Discord with 13 people in it, THAT IS FINE), TTRPG fandoms, all things podcasty...
Sorting out the right approach can be tricky. We should cover sports fandoms, but we're not covering who-won-what; we're covering the fanfic/art/etc interest in sports fandoms.
For "how to split pages into sections" - the time-honored approach to wiki editing is "find another page with the structure you want, copy its code, remove its text and replace with yours." We're working on page outlines that will have the structure built-in, but those will be optional. (Some are linked here: https://fanlore.org/wiki/Help:Starting_a_new_page#First.2C_a_template)
For things like splitting to new pages - that's going to be a page-specific question. Fortunately, we have a place to discuss these things: The Fanlore Discord https://discord.gg/fA663KpC
(link will be good for a week; people can ask for a new one when it dies.) (It's not secret; just trying to avoid bot swarms that find old links.)
For "related fanworks" - I personally like lists of 3-8 or so, ideally with a brief description of why each of them is notable. "This was one of the first with this pairing to have [trope]" or "this is a fan-favorite shows up on many rec lists" or "one of the few from Character B's point of view" or "this is by the most prolific writer in the fandom" or whatever. But there's no specific limit or requirements.
If you want to note 20 specific fanworks for a fandom... rather than cluttering the fandom page, each of them can have its own page. Here's the (intimidating) link for Star Trek TOS fanfic: https://fanlore.org/wiki/Category:Star_Trek_TOS_Fanfiction And here's the handful for IT fandom: https://fanlore.org/wiki/Category:IT_Fanfiction. Both of these are fine. (So the main page might have "example fanworks" and also a link to the fanfic/fanart category page(s).)
It's um. Complicated. Check out the Discord where you can ask questions and get more detailed feedback?
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First of all, thank you so so much for drawing such a wonderful Reimu, Alcibiade! ��✨ As I mentioned in the message I sent you, I had very few concrete ideas about how to bring this idea to life, but as soon as I saw the Reimu you drew, I was able to immediately imagine what kind of scene it was and picture the scenes before and after it. I thought that Reimu's vigorously thrust out hand was perfect for the scene of the gambling game “Chinchirorin (チンチロリン)”, so I interpreted it that way. This may not be the response you were expecting, but because of the nature of this particular gamble, the act of rolling the dice in order is necessary, so I was unable to fit all the time lines into a single picture, so I interpreted the Reimu you drew as a panel of a comic and tried to depict the scene I had in mind. But before I show you that, I have to apologize to you... Even though I saw your comment that you would send me a new picture of Reimu, I reblogged it before I received it because I lost the working data... 😱 The number of layers in my working data had reached its limit, and I thought I would duplicate it and work on it, but I deleted the previous data without duplicating it properly. I'm sorry for my silly mistake! 😭 So unfortunately, all the data from the first panel to the fifth panel has been lost, so it would be better to start over again rather than replace it. Fortunately, I was able to extract the lost panels from the time-lapse, so I can show you what it showed. Here is the comic (draft):
The reason why Mamizou sticks close to Nagito is that she has already lost badly to Nagito in a gambling game, so she tries to make Reimu lose by having her play Chinchirorin with Nagito so that she can feel better about herself. Aya also came to write an article about Reimu's defeat in the newspaper, thinking it would be interesting if the lucky Reimu lost to someone from the outside world (Nagito). So in the end I ended up drawing Mamizou and Aya, but I thought it might be a good idea to try and give shape to the scene where all the various characters are gathered at the Hakurei Shrine enjoying a game of chance, as I think that's the most attractive scene.
To add to the rules of this game, this Wikipedia page explains that the strongest roll is Triple 6-6-6, but the rules I looked up explain that the most special roll is Triple 1-1-1 (this is called "pinzoro(ピンゾロ)"), so I'm going to go with that.
For now, I just wanted to show you the scene I had in mind, and I don't have any additional work to ask you to do at the moment, but if you have any points you would like to edit or add to, please feel free to modify these panels! In the future, I would like to make a clean copy of this, but if there are any points that you feel need to be improved, such as the way it is presented or the lack of description, I would be happy if you could point them out!
Hi Alcibiade! 💖 I'm glad that you are interested in collaborating with me! Honestly, I don't have any concrete ideas at the moment, but the mention that you can draw either Touhou- or Danganronpa-related line drawings reminded me of the one I've been secretly working on in my head about Hajime and Nagito getting lost in Gensokyo. Not that there's anything specific idea that I want you to draw, but I thought it might be interesting to share some ideas about it, so I'll write some down here.
First of all, this type of story is called "幻想入り(Gensou-iri)" in Japanese fandom, and it is one of the themes that has been the subject of a lot of fan creation. For example, there are many stories about video game characters who got lost in Gensokyo, such as Kirby, Zelda, or characters from Final Fantasy. In fact, it is canon that people from the outside world can wander into Gensokyo, so it is easy to imagine this kind of story.
Anyway, the reason I fantasize about Hajime and Nagito going to Gensokyo is because I want to see Nagito play a game of Japanese gambling with Youkai. XD There is a character who first appeared in TH18, a Youkai named Sannyo Komakusa, who runs a gambling den on Youkai Mountain. While the den isn't described in much detail in the game, it's depicted in Lotus Eaters, one of the official manga. I imagine Hajime would be very cautious around the Youkai, but Nagito would fearlessly accept the Youkai's challenge to a game of chance in Sannyo's gambling den. He would then draw in more and more Youkai, who would be amazed by his extraordinary luck. Later, at a banquet at the Hakurei Shrine, Reimu (she is also lucky!) and Nagito would face off in a game of chance, having a great time late into the night. By the time they wake up, Hajime and Nagito will have returned to their world... And that’s the story I have in mind.
I have other little ideas, like Mamizou (one of the Youkai from the outside world) saying "I know a lot about the outside world" and getting involved with Hajime and Nagito but the knowledge she has is so outdated that Hajime gets confused, and Aya being amused by Nagito's good luck and offering to interview him, and many other ideas. At the moment I am not writing down any specific ideas or drawing anything, but I would like to put aside the background of how it happened, etc., but I would like to draw just the gambling scene at some point.
Sorry if my story seems a bit all over the place. X( I'm sure there are all kinds of fun things we can do together, and I'll send you another message if I come up with any good ideas! Have a great day! 🫶💕
Hi Asaka! 🥰
Thank you for sharing so many great ideas with me!!🥹💕 I'm not sure if you wanted me to keep them all to myself or not, so please tell me if you want me to take down this answer ^^" it was a pleasure to read the stories you had in mind, and I wanted to respond when I could take the time to pull the best response possible out of my mind !
It's true that there are all kinds of things we can do together, so please don't hesitate to send another message if you have anything in mind! But I also really like the ideas you mentioned here, and I'm excited by these Gensou-iri stories because this way, we can gather different interests we have in common! :)
The gambling scene looks very inspiring, so I'm not surprised to learn that you wanted to draw it! I think that the two other stories you mention, one with Aya and one with Mamizou, seem both easier and harder to create for us together right now: easier because I completely see how they could be written as relatively small and independant (yet related!) comics, but also harder because you can't really "reduce" them to a small drawing that we could make together as a starting point, I think. But I really like them nonetheless!
So I decided to focus on the gambling scene with Reimu, if it's ok for you. It took me ages to respond to this ask, because I kept asking myself how I should proceed! At first, I thought that I had to do half of the drawing and then lend it to you, but I realized that it would have been frustrating to you to just fill the empty space without having your word in the process :c So I had another idea: I just give you this drawing of Reimu defying a blank space (for now!) and you do absolutely whatever you want with it (you can add all the colors or shadows you want, add the setting, you can add Nagito and Hajime... it's up to you!) and then you give it back to me, and I can add other things if you left space, or do the color, or anything really. This way, you can do whatever you want and if there are things that you wanted me to do, you just have to leave the space and I can do it afterwards ^^ I thought about drawing Hajime and Nagito myself to give you a more finished drawing, but I thought that maybe you would have liked to draw them yourself. 😊💖 Anyway, let me know what you think of this idea :) and please feel free to modify everything you want to!
( I figured that drawing Reimu this way was a good compromise between your style and mine, because it gives me the opportunity to have fun with the composition like I’m used to, without having you cornered into a particular perspective or composition yourself. I hope you like it ! Because I don’t know a thing about japanese gambling games, I’ll let you draw the game you want if you don’t mind x’) )
Thank you for this ask full of lovely and funny ideas!!! 💕🖤
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The Silent Patient vs The Maidens
I will start by saying that I understand the appeal of these novels as page-turners. They are easy to read and if you want a twisty reveal at the end, you will probably be entertained and satisfied. That being said, I am SO CONFUSED by the near-universal adoration of The Silent Patient and the reasonably positive reception of The Maidens. The weaknesses of the two are strikingly similar, as well, which doesn’t give me much hope of seeing improvement from this guy, though I am intrigued to see whether he keeps repeating the same (apparently successful!!) patterns. These books were at least super fun to hate.
(For context, I read The Maidens for a bookclub I'm in, because several of the members had read and loved The Silent Patient, and one of them gave me a copy of the latter to read on my own time. I loathed The Maidens and then read The SP for comparative purposes. And because I'm a masochist, apparently.)
SPOILER WARNING! Do not read on unless you've finished both books (or unless you care not for spoilers). Sorry if it gets a bit shouty.
Here are the similar weaknesses I noticed in both:
PSEUDO-PSYCHOLOGY
-> Weirdly similar “group therapy” scenes early on where a cartoonishly unstable patient arrives late, disrupts the meeting by throwing something into the middle of the circle, and is asked to join the group after the therapist(s) speechify on the importance of boundaries (HA! None of these therapists would know an appropriate boundary if it kicked them in the ass) and debate whether to “allow” the patient to join. Both scenes are so transparent in their design to establish the credibility/legitimacy of the narrators as therapists, but instead both Theo and Mariana come off as super patronizing. The protagonists are less and less believable as therapists at the stories progress (though at least Theo’s incompetence is explained away by the “twist” at the end; Mariana, on the other hand, is confronted in the opening pages of the novel by a patient who has self-harmed PRETTY extensively, and rather than ensure he get proper medical attention, she essentially throws him a first aid kit and tosses him out the door so she can pour herself a glass of wine and call her niece... and it devolves from there).
-> Ongoing insistence throughout the narrative that one’s childhood trauma entirely explains the warped/dysfunctional way a character behaves or views the world, which is why the books go out of their way to give EVERY potentially violent character a traumatic childhood; when Theo insists that no one ever became an abuser who hadn’t been abused themselves, I wanted to throw the book across the room. (That is a MYTH, SIR. GET OUT OF HERE WITH YOUR ARMCHAIR PSYCHOLOGY.)
-> Female murderers whose pathology boils down to “history of depression” and “traumatized by a male loved one/family member.” Because, as we all know, depression + abuse = murderer!
-> The “therapy” depicted in both books is laughable and so so unrealistic, mostly because neither narrators function as therapists so much as incompetent detectives, obsessively pursuing a case they have no place pursuing (or skill to pursue - both just happen across every clue mostly by way of clunky conversation with all the people who can provide precisely the snippet of info to send them along to the next person, and the next… until all is revealed in a tired, cliched “twist”). Their constant Psych 101 asides were so tiresome and weirdly dated (also, the constant harping on countertransference got so ridiculous that at one point during "therapy" Theo literally attributes his headache and a particular emotion he feels to Alicia, as though the contents of her head are being broadcast directly into his mind... and I'm PRETTY SURE that's not how it works???)
CHARACTERS
-> Psychotherapist narrators with abusive fathers and pretensions of being Sherlock Holmes, which results in both characters crossing ALL KINDS of ethical lines as they invade the personal lives of everyone even tangentially connected to their cases (and, in Theo's case, violate all kinds of patient confidentiality. Yeah, yeah, by the end, that's the least of his offenses, but before you get there, it's baffling that NO ONE is calling him out on this).
-> All female characters are either elderly with hilariously bad advice, monstrous hulking brutes, or beautiful bitches (except for ~MARIANA~, who is Bella Swan-esque in her unawareness of her own attractiveness, despite multiple men trying to get with her almost immediately after meeting her. I'm so tired of beautiful female characters being oblivious to their own hotness. Are we meant to believe all mirrors and male attention have escaped their notice? If it’s to make them “relatable,” this tactic really fails with me).
-> All characters of color are shallow, cartoonish side characters, and most of them are depicted as unsympathetic minor antagonists (the Sikh Chief Inspector in The Maidens continuously drinks tea from an ever-present thermos, and his only other notable characteristic is his instant dislike of Mariana, whom he VERY RIGHTLY warns to stay out of the investigation that she is VERY MUCH compromising… the Caribbean manager of the Grove is universally disliked by her staff for enforcing stricter safety regulations at the bafflingly poorly run mental institution, because HOW DARE SHE. There's a very clear vibe that we're supposed to dislike these characters and share the protagonists' indignation, but honestly Sangha/Stephanie were completely in the right for trying to shut down their wildly inappropriate investigations).
-> "Working class" characters (or basically anyone excluded from the comfortably upper-crust, educated main cadre of characters) are few and far between in both stories, but when they show up, he depicts them as such caricatures. We got Elsie the pathologically lying housekeeper in the Maidens, who is enticed to share her bullshit with cake, and then a TOOTHLESS LEPRECHAUN DEALING DRUGS UNDER A BRIDGE in the SP. I kid you not, a man described as having the body of a child, the face of Father Time, and no front teeth, emerges from beneath a bridge and offers to sell Theo some "grass." I was dyinggg.
-> There are no characters to root for. Anywhere. Partly because they’re all so thinly drawn — and because we’re clearly supposed to view almost ALL of them as potential suspects, so they’re ALL weird, creepy, or incompetent in some way.
-> The flimsiest of flimsy motives, both for the narrators and the murderers. Theo fully would have gotten away with his involvement in the murder if he hadn't gone out of his way to work at the Grove and "treat" Alicia and his justification for doing so is pretty weak; his rapid descent into stalking and murder fantasy and his random ass decision to "expose" Alicia's husband as a cheater with a spur-of-the-moment home invasion and staged attempted homicide is ONLY justified if the reader hand waves it away as WELP, HE'S CRAZY, I GUESS (after all, he DID have an abusive father and a history of mental illness, and in Michaelides novels, that's ALL YOU NEED to become a violent psycho). I guess we're lucky Mariana didn't also start dropping bodies (because the logic of his fictional universe says she should definitely be a murderer by now... maybe that'll be his Maidens sequel?). But she especially had NO reason to randomly turn detective - and she kept trying to justify it by saying she needed to re-enter the world or that Sebastian would want her to (??), even though she had no background in criminal psychology... or even a particular fondness for mysteries (really, I would've accepted ANYTHING to explain her dogged obsession with the case. WHY were Sebastian and Zoe so certain she would insert herself into the investigation just because one of Zoe's friends was the first victim? WHY?). As for Zoe and Alicia, their motives are mere suggestions: they were both abused and manipulated, and voila! Slippery slope to murder.
WRITING STYLE
-> Incessant allusions to Greek tragedy and myth, apparently to provide a sophisticated gloss over the bare-bones writing style, which opts more for telling than showing and frequently indulges in hilariously bizarre analogies. Credit where credit is due — the references to Greek myth are less clunky in the SP, and I liked learning about the Alcestis play/myth, which I hadn’t heard of before - but OMG the entire characterization of Fosca, who we are meant to believe is a professor of Greek tragedy at one of the most respected universities on the planet, is just absurd. His "lecture" on the liminal in Greek tragedy is essentially the Wikipedia page on the Eleusinian Mysteries capped off with some Hallmark-card carpe diem crap. The lecture hall responds with raucous applause, clearly never having heard such vague genius bullshit before.
-> Super clunky and amateurish narrative device of interludes written by another character; Sebastian’s letter reads like a mashup of Dexter monologues and Clarice’s memory of the screaming sheep, but by FAR the worse offender is Alicia’s diary, where we’re supposed to believe she painstakingly recorded ENTIRE CONVERSATIONS, BEAT-BY-BEAT DIALOGUE, even when she’s just been DRUGGED TO THE GILLS with morphine and has mere moments of consciousness left… and even before that, she literally takes the time to write “He's trying the windows and doors! ...Someone’s inside! Someone’s inside the house! ETC ETC” when she thinks her stalker has broken in downstairs. WHO DOES THAT?)
-> Speaking of dialogue, the dialogue is so bad. Based on his bio, Michaelides got a degree in screenwriting, which makes his terrible dialogue even more baffling.
-> HILARIOUSLY rendered voyeur scenes where the narrators spy on couples having sex. Such unintentionally awkward descriptions. First we had Kathy’s climax sounds through the trees and then the bowler hat carefully placed on a tombstone before the gatekeeper plows a student. Again, I died.
PLOT/"TWIST"
-> The CONSTANT red herrings make for such an exhausting read. Michaelides drops anvils with almost every character that are so obviously meant to designate them as suspects in our minds. There is absolutely no subtlety in his misdirections.
-> The “crossover” scene between the SP and The Maidens makes no sense - when in the timeline does Mariana’s story overlap with Theo’s? They confer just before Theo starts working at the Grove, obviously (though Mariana appears to be the one who alerts Theo to the job opening there? Whereas in the SP, Theo has been obsessively tracking Alicia since the murder and had already planned to apply to work there?), but then are we supposed to believe that while Theo has been psychotically pursuing his warped quest to “help” Alicia, he’s also been diligently treating Zoe, so invested in her case that he repeatedly reaches out to Mariana to get her to visit Zoe and even writes Mariana a lengthy letter to convince her to do so??? And then a couple days after The Maidens ends, Theo is arrested???
-> But the thing I really did hate the most is how Michaelides treats his female murderers (who are both also victims themselves) as mere means to deploy a “twist”; there’s no moment spared to encourage our sympathy for Zoe, who was groomed and manipulated by the only trusted father figure in her life, and even after spending a decent amount of time getting to know Alicia via her ridiculous diary, where it’s so apparent that she’s been demeaned, objectified, manipulated, gaslit, and/or used by EVERY man in her life, she’s sent packing to spend the rest of her days in a coma… HOW much more satisfying would it have been for her to succeed in exposing Theo and reclaiming her voice? But no, she basically rolls over when he comes to finish her off (SPEAKING OF — ARE WE SUPPOSED TO BELIEVE THERE ARE NO SECURITY CAMERAS IN THIS INSTITUTE FOR THE CRIMINALLY INSANE????), writes one last diary entry, and drifts off forever. And then a couple pages of nothing later, the story is over. GOODNIGHT, ALICIA!
Both books kept me rolling throughout (by which I mean eye-rolling but also rotfl). Maybe I will check out his next effort — I’m morbidly curious what he’ll turn out. It does leave me wondering whether I should give up on thriller novels entirely, though. Are many of the weaknesses of these novels just characteristic of the genre? Maybe I'm just holding these books to unfair standards? I'm mostly only familiar with thriller films — many of which I think are amazing — but maybe you can get away with more in a film than you can in a novel.
...I really only intended to write a handful of bullet points, but more and more kept coming to mind as I wrote, to the point where subheadings became necessary. Whoopsie.
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Hey I was wondering since you’re posting about it: do you know how I can play/experience Uchikoshi’s infinity series? I really want to play Never 7 and then the following entries but I can’t find any way to do so. If you don’t know that’s totally fine but I figured I’d ask. Thanks!
I am so glad you asked cause I went through this exact thing like two weeks ago !!!!
If you want to watch or buy them: I know you're supposed to start with Never7, but I haven't been able to find a good playthrough or copy anywhere. There's one full playthrough on youtube, but it is really bad quality recording and has super dry commentary (which is a dealbreaker for me for visual novels haha). So I just read a synopsis of it and started with Ever17. Ever17 has an entire playthrough with no commentary and pretty decent screenrecording here. Once you finish the playlist linked (6 short videos), the author has the routes linked in the description, in order of the best order to play them. You can buy Ever17 online, but it's really expensive and has a history of not working on most systems, sadly. As for Remember11, there's a playthrough here. It unfortunately has commentary, but it's a lot less dry than the Never7 one I found.
If you're willing to download copies: Never7's last working link is here. Apparently, the discord no longer works and the original file download has also stopped working, so as of a month ago, this was the final version I could find. Ever17 should be on this link here. Remember11 has a download link here and here, but I haven't used them, since I'm still finishing Ever17 right now. Just a warning for this, I've heard of more people not being able to get any of the files to run than I've heard of them working, so it might be frustrating trying to get this stuff to work. There's a Discord you can join that was originally for helping people download the games, but it has been closed for a few months and I think you need special permission to enter it or something.
Because the story is confusing, I also kept the wikipedia pages for each page open, as well this explanation of each Ever17 route. The Infinity Series Reddit is SUPER helpful for everything from download questions to understanding the plot. A lot of synopses also disagree with each other on certain plot and lore details, so the Reddit was useful for understanding that sort of stuff, as well.
I hope this helps and I'm sorry if any of the links don't work!!! A lot of them are super old and/or have copyright issues, so they get removed often. I hope you enjoy!
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character names keep me alive, toh is my lifeblood.
i am literally obsessed and this show really does provide (i still have to add more smh my head dana terrace why do you do this to me jk i love it so much please never stop) COPY AND PASTED FROM DOC UNDER BREAK
NAMES INCLUDED:
FIRST NAME
LILITH
EDA
LUZ
KING
WILLOW
GUS
ASSORTED BLIGHTS
LAST NAME
BLIGHT
CLAWTHORNE
NOCEDA
PORTER
PARK
BUMP
MISCELLANEOUS
BELOS
HIERONYMUS AND BOSCHA
ADEGAST
HOOTY
OWLBERT
KIKIMORA
GWENDOLYN
RAYNE
NOTE EVERYTHING BEFORE GWENDOLYN AS OF 6/24/21 WRITTEN WITHOUT SEASON 2 KNOWLEDGE, TO BE REVISED, REVISIONS IN BOLD!
Hello and welcome to the ramblings of a mad man. Before we get into it I think you should note that I do write like I talk because I think like a talk and I write how I think, so if you are confused as to why it sounds like i’m not making sense its because I'm not making sense also my capitalization and punctuation suck so sorry about that but we don’t have time for technicalities in this house. TO ADVENTURE!
FIRST NAME
LILITH
EDA
LUZ
KING
WILLOW
GUS
ASSORTED BLIGHTS
LAST NAME
BLIGHT
CLAWTHORNE
NOCEDA
PORTER
PARK
BUMP
MISCELLANEOUS
BELOS
HIERONYMUS AND BOSCHA
ADEGAST
HOOTY
OWLBERT
KIKIMORA
GWENDOLYN
RAYNE
GILBERT
FIRST NAME
LILITH
Ok so because I'm lilith’s bitch we are gonna start with her because her name is so cool and I love her and we should be besties Lilith hmu. Anyways as most people know Lilith is a pre existing mythological character which makes this very much good because that means it’s all outlined. Most people know her as a demonic figure, which I very much dig but similar to our lovely queen of curses out here, that's not all she is. There isn’t going to be a chronological explanation of similarities and conclusions, cope. The basic gist is that Lilith was this chick with fiery red hair (this is important iykyk) who refused to be beneath or below adam, more specifically to subjugate to him, funny because of the tapestry with belos what says subjugation on it, probably a coincidence but I do not believe in coincidence right now. Anyways basically she runs off and becomes this chick who like snatches children and will make them sick if they don’t have an amulet with the names Senoy, Sansenoy, or Semangelof on them, thats a different story but what I find interesting is this one passage,
“(12) Her nobles shall be no more, nor shall kings be proclaimed there; all her princes are gone. (13) Her castles shall be overgrown with thorns, her fortresses with thistles and briers. She shall become an abode for jackals and a haunt for ostriches. (14) Wildcats shall meet with desert beasts, satyrs shall call to one another; There shall the Lilith repose, and find for herself a place to rest. (15) There the hoot owl shall nest and lay eggs, hatch them out and gather them in her shadow; There shall the kites assemble, none shall be missing its mate. (16) Look in the book of the LORD and read: No one of these shall be lacking, For the mouth of the LORD has ordered it, and His spirit shall gather them there. (17) It is He who casts the lot for them, and with His hands He marks off their shares of her; They shall possess her forever, and dwell there from generation to generation.”
And there are separate part of this that I find relevant, especially the description of the location, i’m not all that familiar with symbolism of animals in religious texts, so i’m gonna take it at face value and say that this is more or less a description that could be given to the physical owl house itself, sort of a place for people who don’t fit in, its a little messy and I guess one could say overgrown, but it’s a place for anyone, a place to rest now hopefully for Lilith away from the coven, there shall the Lilith repose. On top of that we see the “the hoot owl…” and you’re probably thinking what that so crazy wacko because like why are they referring to Lilith as the hoot owl isn't Eda the owl lady, yes she is. That’s why the actual meanings of lilith’s name that come from her mythological depiction as a demon lady are so important. We have night monster, night owl, night spectre, vampires, night hag, night creature, nightjar (which is another kind of bird), and night bird, all of these seem to fit lilith’s dark aesthetic very nicely which is very good for her, but there are two other ones, hot owl and screech owl, which draw her closer to Edaand away from the coven and her depiction in the mid-later episodes of the show as a monster for cursing eda, but also the name night monster could come into play if while sharing the curse Lilith acquired some of its traits, similar to Ed aas the owl beast. Ultimately, we have this little red head girl who eventually fights back against the men who are attempting to get her to be under them, for the character that is belos, for the other Lilith that is adam, god, and his angels, and now hopefully both of them will find solace and repose among the owls in a place they never thought they’d belong. All this talk of owls and god brings us into the other clawthorne baddie:
Lilith did find her repose! I love her staying in the owl house, get it queen oh yuh.
EDA
For this I'm going to use her full name edalyn, because you know like that’s just how it be it is her name. There isn’t a wiki page for her name like there is for Lilith which makes this a little bit harder but the general consensus seems to be that it means something along the lines of “gift of god”, which I find very interesting. If you are going to name a child gift of god i’m assuming that you are referring to the child themselves, but I don’t think that really applies to eda. I’m not religious, but its my impression that someone who lies, cheats, pranks, and steals their way to the top and isn’t exactly the most responsible witch on the isles and might not be the best gift god could give. I do really love Eda though, her character flaws are still a part of her character, but I think this refers to her powers. Eda considers herself to be the boiling isles gift to magic, which I mean like, have you seen the woman. In agony of a witch we see her at what probably 30% of her power with how much the curse was already tolling on her and how much magic she was probably using to fight it off, and like goddamn. She was almost beating lilith, definitely beating the shit out of her, but she was almost defeating Lilith who was at her full power, and that is just a fraction of what she used to be able to do. Her powers were a gift of god, and I think that the loss of them will greatly affect her. She’s already admitted that she doesn’t know how to do much without her magic, and I think going straight from the second most powerful witch on this isles to having no power at all is going to be incredibly taxing on her, physically and mentally.
Luckily for her the name edalyn also means patience, another thing about her name is that it not only means gift of god, but also similar things like gifted by the gods or even goddess, and this draws a connection to Lilith who is named after a demonic figure, casted out for having defied god, they are quite literally polar opposites on the name spectrum, and we see that a lot in the show, they are completely different people, I mean have you looked at them they don’t even look related, but the funnier thing is that their personalities do the same thing. You’d expect Edain her youth to be a gift from the devil, just ask principal bump, and Lilith seemed to be a goody two shoes who worked her ass off, their names could be switched based off their characters alone.
A random baby name site I found said that :
“Persons with the name edalyn are usually highly flexible and well equipped to making and accepting change throughout their life. They always seek excitement and are sometimes a bit of a risk taker. They are imaginative, and often, through their unconventional way of thinking, are naturally able to solve complex problems with ease. They are quick thinkers and observers who are clever, analytical and versatile”
Which I mean like very much applies to eda, she takes change like a champ, either genuinely or by pretending she’s ok with everything, and is always seeking excitement. Like literally all of the time. Always. I think she takes felonies as a compliment, and one of the biggest changes in her life that she genuinely was able to adapt to and appreciate was
OH MY GOD HER LEARNING THE NEW GLYPHS WAS SO CUUUUTTTEEE, I love her being able to adapt, she really is doing well. As the beginning of separate tides shows, she’s working around it, and is doing a damn good job, living up to her name.
LUZ
Ok I think at this point everyone knows that at this point the name Luz means light, and if you didn't, oopsies now you do. The character Luz was named and designed after a real life person the miss dana terrace knew at the time she was starting to really think about the show, Luz ’s personalty comes more from dana herself and we love that, but the character has really started to grow into her name. This is made most obvious when the first spell Luz learns is the light glyph, not only coming into her own as a witch, but also starting to live up to her name, which along with light also has to do with “Our Lady of Light”, which is the virgin mary, fitting her right in with the other biblical names we got going on here. I really want to stress that I know next to zero about religion, and all of the connections I am making come from wikipedia, so bare with me here. But most of the time mary seems to be this pure, saint like figure, which I think is what a lot of people see Luz as, especially on the isles. I’m going to flat out say that this is in no way meant to pass off Luz as simple minded, pure, or oblivious, because we have seen what that girl is willing to do, she faced death and poked him in the with an ice cicle. In terms of life on the isles, however, she is more or less pure and sheltered, she’s completely new to the world she’s in, but she does quickly adapt, and shows more of her strong side, and remains a good person throughout all of it, taking losses as they come, and not letting them remain losses at the same time.
Back to the whole light thing, we already touched on the whole literal bit of her and the light spell, but can you think of a better way to describe Luz ? She literally brings light everywhere she goes, even Eda admits that she’s changed things for the better, for everyone around her too. Willow got a new friend, probably the first friend she’s had in a long time, and even got to begin repairing her relationship with amity, and got placed in the plant track so she could do the things she loves, all because of Luz . Edagot to grow as a person and a mentor, and finally got someone willing to accept all her eda-ness, unconditionally, someone to really care about that really cares about her back, all because of Luz . Amity got a friend who cares about her, not just her family name and money, someone who supports her and will do anything for her because she is her friend, and a bit of self discovery along the way for amity, all because of Luz . Not a single person on the isles who has had more than 2 minutes of interaction with Luz hasn’t had their lives improved, even belos got his portal, and the thing is that even characters who people might not even consider changed have been, characters such as
Luz my beloved, she seems a little bit less of a light this season, and i do mean little. That’s totally fine though, it’s expected, i didn’t want her to just be this bright shining star after the events of the last two episodes of season 1, and appreciate her going and starting to take the fantasy of the isles with more than just a grain of salt. Obviously like in escaping expulsion, she’s still trying her best to make everything better and make friends with everyone, but there’s something a little different about it and i’m here for it tbh.
KING
The name king itself is obvious, he is royalty, the king of demoNS HIMSELF ASMODEUS hahahaha pulled a sneaky on you now accept my ideas as your own. I am on a mythological name kick, deal with it. The most important thing here is in the bible, asmodeus poses himself as a false god, which I know is something we have all considered with king, that he might be a full on liar, not be a king of anything and is just your ordinary street demon, it’s even come up in the show with him calling himself the king of artists and Luz asking him if he was just making it up at this point. It’s a good theory, I can see it, and this could be used as proof. There is also another legend that paints him as a good natured dude, who eventually banishes the king by literally throwing him, and then he loses his powers and is banished, but this is also the same legend where he marries Lilith and that is not something I am down for. There is another text in which he tells the king (the same one he threw in the other one) that his kingdom will one day be divided and the king does not believe him, and this is the same text where he admits to hating water and birds because they remind him of god. Lets think class, who has the god name and is related to birds here? King’s name by itself holds true to his character, who (regardless of if it is truthful or not) holds himself as if he is a king, and he isn't the only one with a name like that, there is also
WILLOW
Ok I know we all thought it, willow, the plant girl, how fiendishly clever. This also happens to be the only descriptor for her name I could find, which is totally fine because I think it’s a very cute name and willow is also very cute. This means we get to go into the symbolism of the willow tree wwwooooOOOOO aren’t you so very excited I know I am. Its kind of interesting, willow trees seem to match the character, understanding, warm, a safe space really, but most of all the ability to let go of pain and suffering, sometimes outright ignore it, and move on. Willow does always say out of sight out of mind does she not? She is willing to ignore, even excuse people bullying her, be it bosha or even amity, and the moment she got the chance her inner willow decided to try and literally burn the painful memories she had, willing to cause damage just to forget. Willow as a character is very willing to move on like nothing happened most of the time, key word most because another thing about willows is the ability to grow from the pain. Before understanding willow, we never really saw willow stand up for herself until she really had to, but hy the end of the episode she is willing to tell amity that she isn’t willing to fully forgive her, but she’s willing to grow and try. Heck, we see this over the entire first season, we see this little girl who can barely pull it together long enough to stand up for herself grow into this amazing character willing to publicly oppose the emperor and break into his castle for her friend, she tried to full out attack Lilith when 19 episodes earlier she wasn’t able to stand up to amity for bullying her. And I am in no way calling willow weak, she never was, she just needed to find the ability to show everyone that she’s strong, god I love willow so much, you wanna know who else loves willow?
GUS
Gus, my main man, love you but for this we are gonna have to use the full on augustus sorry babes. The name augustus means majestic, or venerable, which while I must say that the illusion of kiki doing the worm was probably one of the most majestic things I have ever seen, I’m going to focus on venerable a bit more here. Venerable is a big word, it means “accorded a great deal of respect, especially because of age, wisdom, or character.”, which for gus the age part might play a smaller part here, but he is good as what he does, Luz and willow both respect him, Eda Respects him, he’s this little dude who is younger than everyone and has to rely on his ability to succeed, not only with his power but with his personality. Gus seems to be confident in himself, communicating with everyone regardless of who they are or what power they hold, similarly to willow he was willing to do anything to help Luz , leading into the second description of venerable, “heroic in nature”. Now, you might be wondering, bestie where ever did you get that description, it totally wasn’t from a religious page okyesitwas but that's fine because being pronounced venerable guarantees a spot in heaven so get it bestie. Overall, the general meaning for augustus is that they are strong, respectable, and powerful, which takes us right into the
Gus, shawty, ily but please stop the obsession with death babes ur starting to scare me. I hope with the upcoming Gus content in TTLGR we will see more of him growing into his powers and such.
ASSORTED BLIGHTS
The blight first names bring me joy so I am putting amity last because I think its really funny, starting off with alador, the name alador evokes diplomacy, correctness, and confidence. We know zilch about alador, but if the vibes of the blight family have anything to say it’s definitely something along those lines. The name odalia means wealth, which I mean like have you seeeen blight manor? Also back at it again with the fact that it’s a variant of the name odilia, like the saint olilia which I don't have ties for you right now because again, we know nothing about her. Edric also means wealth, fortune, riches, powerful, you get the vibes, same thing with emira which means commander, or prince, princess, leader, or star. So you know like we have all these super powerful names happening, and then, oh boy and then we get to little miss perfect herself, amity blight. It means friendship, or harmony. If I was her I would be so mad at my parents like yall have these mad powerful names and I got stuck with friendship? Hand me the emancipation papers. You know what they say, friendship is the real magic (even if no longer taught in schools due to budget constraints). I hope that this leads more into season 2 with amity working on her friendships and ultimately her relationships in general, which we got a bit of already with her working on repairing her relationship with willow, and making the moves to cut off old toxic friendships and moving into more genuine ones with willow, Luz , and gus. I guess you could say that the only thing ALL the blights have in common with each other is their
They are rich assholes, alador is a little wacko, odalia is hot asf dana seriously what the hell man that was out of pocket. The only thing about alador that lives up to his name is his money, odalia seems more obsessed with image and money, and i too am obsessed with her image literally boy what the hell boy.
LAST NAME
BLIGHT
The word blight by itself means a plant disease which boy oh boy can you believe how nicely that fits into amity bullying willow because I sure can. Outside of just the plant bit it overall just means like something that damages another thing, and this works beautifully for each member of the family. The parents are damaging their children, the twins just causing general damage, and amity and her goddamn relationships, but fortunately that whole plant thing brings us into the next couple of last names
CLAWTHORNE
The last name clawthorne means “cold or exposed thorn tree” which had me kind of like what the heck so I went off and had some fun and got you some presents that I think are funny, so there was this guy right, his name was joseph clawthorne, and he created the term whiffenpoof, which is the name for a wildly fictitious animal, things like a jackalope, or even a griffin with spider breath, though I guess that would be the work of a
NOCEDA
Back again with the trees good lord, it means field of nut trees, so again I went into prominent people an found this guy named jorge noceda sanchez, he was a painter and some of his works are kinda baller actually it seems like something that would fit in on the isles, but also not all of the names have a deeper meanings, names like
PORTER
Ok I am like pretty sure this was just meant to be a play on the fact that gus’ dad’s name is perry and is a reporter, get it, perry porter, perry porter, reporter, but nonetheless I did some digging because why the heck not, it means doorkeeper, or gate keeper, someone who guards something like an important building, which honestly I think this would be a good last name for hooty if he ever gets one, but again not all of these are important names at the moment, or maybe they won't ever be at all, names like
PARK
At first I was kinda like l m a o willow park plant girl hahahahah plants in the park parks have trees willow is a tree but then I remembered that someone pointed out that park is a traditionally korean surname and then like a week later disney posted about it for aisian pacific american heritage month which kind of confirmed it, and I don’t know if the whole intention behind it was to establish willow as representation or not, but the surname park by itself means gourd and willow I am so sorry that is so unfortunate LMAOSIFN
BUMP
To be honest I was not expecting bump to have a last name that meant anything but it means swift walker and I think thats funny so you have to know it now
MISCELLANEOUS
BELOS
BIIIITCH LISTEN UPPPP there is a butt tone of mythology surrounding his name and its mostly a different form of it, belus, that is referenced, but same thing different shape. Most of his depiction is as a great king or ruler, in babylonian mythology being the equivalent of zeus of jupiter, which liiikkkkkeeeoajolnjojnkjakjavnjfvdfkjf but its fine everything is great its all ok most importantly, he is recognized as the god or ruler of war, and in that same mythology he lived in babylon, which “... was originally water, and called a sea. But Belus put an end to this, and assigned a district to each, and surrounded Babylon with a wall; and at the appointed time he disappeared.” and idk about you but the smell of him assigning a divide and disappearing smells sour like funky to me babes
HIERONYMUS AND BOSCHA
I am only putting this here because the fact that it’s totally a play on hieronymus bosch makes me cackle and you all have to know it thank you
ADEGAST
B-but brevyn he was only there for like one episode, yeah ok and? Radegast is the slavic god of hospitality, and there is no host like a host that pretends to take you on a mythical quest and then tries to eat you and your mentor and her deranged cat demon, ok? His name translates to “dear guest” or “welcomed guest” and I mean I think if my host tried to suck me into some fantasy would delusion i’d feel pretty welcomed
HOOTY
He is an owl
OWLBERT
He is also an owl
KIKIMORA
First and foremost, she is a little night gremlin who hates children and I think that really fits her, but she is also a little house demon, who is very difficult to get to leave, have we seen her outside the castle? Will she be a spy along with the mask next season? She also has a name that means nightmare or night demon, similar to a certain other night creature we might have heard of a while ago. She tried to strangle children and I love that for her,and she is described as a little old ugly messy haired lady and I feel like her current character has the personality of one so i’ll take it, but what really gets me is her villain origin story, which is that she "grows up with a magician in the mountains. From dawn to sunset the magician’s cat regales Kikimora with fantastic tales of ancient times and faraway places, as Kikimora rocks in a cradle made of crystal. It takes her seven years to reach maturity, by which time her head is no larger than a thimble and her body no wider than a strand of straw. Kikimora spins flax from dusk and to dawn, with evil intentions for the world.”
GWENDOLYN
Ok, the queen herself, haven’t met her yet but like who knows. Not really a whole lot here (my ears are ringing oops one sec ok i’m back hi) anyways um uh rings? Her name right off the bat has a lot to do with rings, and really that only applies to eda, because her ring was a big thing for her, she gave it to lilith, we all watched wing it like witches you know what’s up, but i mean like was that gwen’s ring? I really wanted the hand on eda’s wall to be gwen’s, very upset to see she has all of her body parts so far. I am also not sure if that’s how it’s spelled, but it means the same thing anyways. Also meaning fair or blessed, any woman who created both eda and lilith is probably mad powerful and we love to see it, also she’s a beastkeeper and i like i want to talk about that with eda’s curse but now is not the time for shenanigans (that’s a lie every time is the time for shenanigans i’m just exhausted)
RAYNE
Bitch, sorry, ok listen like um sidebar I AM SO EXCITED FOR THIS CHARACTER AND YOU ALL NEED TO KNOW IT but also at this point i’m not really sure about this character, is this their name, is that even how it’s spelled, girl idfk but like whooptydooo I do what I want so cope. Right now, we are assuming that they are the new bard coven head character, and like let me tell you the way that I am fully pissing my pants atm like bestie, anyways, if spelled rayne, then it means counsel or song, and this is why, do you see why this is why we spell it like this? It’s also scandanavian which means like nothing but it’s cool. This spelling fits because like counsel, head of the bard coven, you get it it’s fine, and then song, also head of the bard coven, you know. It fits so well, especially since this is supposed to be a friend from eda’s past, and like is supposed to try and recruit eda for a rebellion against the emperor in the episode eda’s requiem, i cannot convey to you how goddamn excited I am like there are not enough words in this realm or any others to tell you how prepared i am for this character to rock my world.
GILBERT
I AM S O B B I N GGGGG apparently one of willow’s dad’s names is gilbert and that is literally so cute I cannot like actually this knowledge makes up for coronavirus anyways it means bright promise and idk what that even has to do with anything but I love it and you should to omg
Now i have to go update the other characters see you in hell <3
#the owl house#luz noceda#lilith clawthorne#eda clawthorne#gwendolyn clawthorne#amity blight#alador blight#odalia blight#blight twins#willow park#gus porter#principal bump#rayne#hooty#character names
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Author asks: 4, 11, 18, 19, 24, 25
Sorry this took awhile!
4. Favorite character you've written?
Hmm. I think Eli Bronn, from the Last Chance series, is probably my favorite? He's scared and angry and complex. I don't feel like I really did him justice, but he's still got a space in my head all to himself.
11. What aspect of your writing do you think has most improved?
Probably my pacing? It's definitey what I've struggled with the most, at least, and it's what got the most comments in The Weight of Dust. I think I'm starting to be able to settle on the heart of a story without scrambling after all the peices of it.
18. Were there any works that you read that effected you so much that it influenced your writing style?
Rosemary Sutcliff has a lot of poetic description and internal conflict, both of which I've always tried to emulate.
I also read Lloyd Alexander, almost exclusively, for a couple of years in a row as a kid; I love how mythic and kind his work is, and I want some reflection of that in my own writing.
And the first time I ever remember thinking, 'oh. This is the climax of the story.' was while reading Steelheart by Brandon Sanderson. I REALLY want to be able to build up excitement like that, someday.
19. In more complex works, how do you keep track of outlines, characters, development, timeline, etc.?
...keep track?
I mostly just write stuff down when I think of it. Outlines usually just consist of the general direction I want the story to go in, and that sits at the foot of the story doc; sometimes I do character outlines, and those go in a notebook so I can refer back to them if I'm in a tight spot.
I don't plan out theme, development, any of that. It happens, I notice in edits, and try to make it better.
24. Have you ever become an expert on something you previously knew nothing about, in order to better a scene or story?
In some ways, everything I study is for a story, but I get so interested that it becomes part of who I am instead. But, like, a single wikipedia deep dive in order to figure out fishing boat schedules, or something? Not really. I don't have the patience xD
25. Copy + paste a few sentences that you're particularly proud of.
Ooo, thank you! I never remember anything I write, so here's a bit of the flash fiction I'm doing for next month's PFW blog:
'The dragon was wound around and through the tree-trunks, the leaves sending dotted patterns of blue shadows over its smooth scales. Its head was larger than Girta’s whole body, and it laid flat on the ground like a snake’s, its eyes closed. It had antlers like the ones you could still find sometimes in the hills, pale as the tree-boughs and sharp as knives.'
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Let’s Talk About Trackers...
Because of the major talk about them yesterday and how an anon tried to throw me under the bus, I want to make an informative post about the specific tracker I use and certain others do too (assuming they still use these). This will also go under a keep reading so you don’t have to scroll in case you read it and then don’t wanna scroll past it a second time.
I personally use a site called statcounter. What is stat counter? Well, let me explain with an excerpt from Wikipedia!
“StatCounter is a web traffic analysis website started in 1999. Access to basic services is free and advanced services can cost between US$5 and US$119 a month. StatCounter is based in Dublin, Ireland. The statistics from StatCounter are used to compute web usage share for example. As of May 2019, StatCounter is used on 0.9% of all websites. StatCounter statistics are directly derived from hits—as opposed to unique visitors—from 3 million sites, which use StatCounter, resulting in total hits of more than 15 billion per month. No artificial weightings are used to correct for sampling bias, thus the numbers in the statistics can not be considered to be representative samples.”
Statcounter I find has some cool features too if you do run a business site, which I aim to do in the future, here’s some of the cool analytics stuff they have if you’re a business marketer:
This above is a capture taken for the tracker on my OC blog @ / barashikki-dialoversoc
This tool here provides where the majority of your people come from, so it will help businesses to have features such as this, so StatCounter is cool to use for business and marketing.
But that’s not why we’re here, are we?
StatCounter says they provide you with IPs in hopes of blocking/banning them from your site and/or stopping fraud on your website.
Sure, that’s useful as I personally use that to block people’s IPs if they send me hate anons. But here is how it’s an issue... This specific tab, which I know M/C uses quite often from my former friendship with her: Visitor Activity
Now, let’s go there and break it down. I will be censoring sensitive information like people’s locations and IP addresses to protect them.
I want to also address the “xxx is now using 100% of its log space” too.
It may be hard to read, but it says the following
“Your Project Bara Shikki is now using 100% of its log space. This means that your website traffic data for detailed stats older than 7 months* will be overwritten to make room for new data. You can upgrade for $9/month to increase your log to 10+ years*. If you don't mind losing this old data for detailed stats, then no action is required on your part. Summary Stats are included with all plans and are unlimited.
* Estimated based on your current traffic”
For my other blog @ / dialoving-lemons, it deletes this info in 7 days due to the high demand traffic (it is a LOT more popular than any of my other blogs despite me being on hiatus there).
So while that is good, this information stays for a while. If someone is paying for this service, they can keep this info for a long time.
Now onto the part we are mainly addressing, addresses and IPs. I will use my own visits for the example (the white censor). And yes, you can appear on your own tracker as it picks anyone up who visits the URL.
I color coded this so we can do a breakdown.
Yellow is my city. Green is the state (will be providence if you are in another country). Then you see “United States” as the country it says I’m from. Your country’s flag also appears before your location.
^^^This here is already pretty accurate and sensitive information, and we haven’t even gotten to the second line yet.
For the second line, we have these: Purple is your internet provider. White, that’s your IP. See that tag next to it? You can click on that and make notes in it for when that person returns to your url. You can even sign up for notifications to get emails or alerts on your phone (if you have the statcounter app). How do I know this? This is how:
Incognito doesn’t have dark mode, so sorry for bright image lol
Idk about you guys, but that’d make me uncomfortable to know someone could just get a ping saying I’m visiting their page. Again, I don’t know what features M/C uses, so I can’t say if she has this or not.
So not only can you find someone’s location, internet provider, and IP (which I think is enough for someone who hack or screw you over somehow, idk. I’d want to look that info up) but you can also stalk when they’re on your blog. This is a big YIKES.
Now back to the breakdown of the image from earlier...
You can learn what device they used, their browser, get a timestamp, and also how long they were on your page. I personally don’t care sharing this info, many of us use the most updated browser of our choice and most of us are on windows 10 for computer users.
So... yeah. While I use statcounter myself to block haters and redirect their IPs so they can’t get on my page anymore, I feel this site does give out too much information. On top of that, the one we all know who uses this software also has some software that checks who unfollows her. She uses these to get dirt on people and to expose them, it is not for her safety.
Now some tips on how to be safe if you don’t want to be tracked thanks to me testing things out:
Use the tumblr app.
The tumblr app uses coding for mobile usage. It does not rely on urls, but another form of code. StatCounter cannot log this code, so you will not appear on the visitor activity tab.
View blogs in side view
This is side view for those that don’t know. Side view acts a lot like the app in terms of the coding. So viewing like this is safe for you to not appear on trackers.
StatCounter relies on you typing in and clicking on urls on someone’s tumblr page (if installed on a tumblr).
As long as you are on a way that doesn’t rely on url systems, you are safe from appearing in someone’s tracker.
And a final note, if you are going to use one like I do, for blocking haters’ IPs, then I highly recommend putting a disclaimer in your description. I immediately did that when I installed mine so people knew they’d get rerouted if they started crap with me. I personally feel that keeping it secret that you have a tracker is violating someone’s consent as you are gathering info without their permission. By saying you have one, them being able to use ways where they won’t be tracked is very useful and helps them feel at ease knowing they can decide if they’re fine popping up on your tracker or not. Here is an example disclaimer you can put if you do put one in. Feel free to copy and paste too!
"Disclaimer: I use a tracker that allows me to see visitors�� IPs so I can block them if they cause problems for me, proceed at your own risk"
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Here are fan made fetch moduses. They’re not mine but it gave ideas what they would look like and write my own descriptions. Feel free to use them as you wish :)
Camera Modus: It can take pictures on one focused object to 35-50 cm away on the fetch modus card camera (top right). After taking a picture, it would create a clone of the object on your captchalogue inventory. It can be a great practice to take pictures, just don’t take pictures of yourself.
Settings:
Instagram mode- It doesn’t really do anything special except put any radon filter in your fetch modus over what it displays. It’s dumb, but hey it gives you a ton of likes. likes actually don’t exist in your modus or an app for it.
Snapchat mode- I’m not sure why you would need filters to captchlogue an item. If you use this one, I definitely recommend the dog or flower crown filter.
VSCO mode- It’s more about the aesthetics to be honest. Not for those who dresses up in long over sized shirts with a bunch of poofy hair ties and purposely drop their water bottles to make weird noises
Limit: can take 10 film inventories, more than that can eject the last inventory. The object you want to captchalogue has to be on the cameras focuse or else the picture would look blurry and would not clone the item.
Book Modus: A simple modus that comes with a actual book. When you captchlogue an item, it would gives you their description and their captch code. It would also receive a page inside the book as it could give more its abilities, uses, history, common location, and combinations with other items. Pretty useful and it’s possible to captchalogue the book itself. You don’t wanna carry it around all day.
Settings:
Academic mode- Yup all that math, science, language arts, health, and history you’ve read for school is coming back to you. What sucks is these books are the books you’ve read before when you were younger...so they’re probably out dated. Which sucks.
Encyclopedia mode- AKA Wikipedia, Dictionary, or Thesaurus if you want to call that. Basically find what word you want and look through the entire book to find what it means or what’s similar to it. I doubt you want find the amounted of pages it has because it never ends. Sometimes too much words can lead you the short end of the stick or just completely lost.
Journal mode- A thought of someone their own writing to collect their ideas and observations. You can make your own journal if you want. Like writing down what your doing or your grocery list. Actually just write what it feels like to you.
Magazine mode- Now we’re on the good stuff. Good stuff as in gossip and trends. What? At least there’s something to entertain yourself than looking through those stressful words every single to time. You just need to relax and read the latest celebrity gossip. OooOo.
Newspaper mode- Wait how can there be a newspaper in a book? Well at it lets you know what happening daily in other places or locally. Contains huge headlines, unnecessary words, really big photos, and a lot of advertisements.
Limit: There’s no storage limit on this fetch modus but it’s recommended to have 12 items. Unless if you want to have a bunch of words thrown into you to the point it becomes a encyclopedia. Also item eject? What’s that? Uh oh.
Money Modus: This lets you store any item but you have to access the item by inserting a specific amount of money. It is very different in every item. Isn’t it a mix of an ATMs and a shop? I don’t know, but at least they are in a reasonable price. This is not meant for cheap scapes. Sometimes the capchalogue item is has the similar price to real life price list. [Ex. A real life a fridge cost $1,000-2,000]
Settings:
Currency change mode- Your not sure why people need a specific currency. This setting is so stupid, it makes you wonder who needs this?
Bank mode- Yes you heard it right, you can store money in this fetch modus. It’s great for people that has no where else to store their money. This can be your own personal piggy bank.
Limit: This has unlimited storage. The bigger and expensive the item, the more expensive the price you need to access the item. The more you store items, you need to spend a lot of your money. No, you cannot argue the card to lower the price ya silly goose.
Mask Modus: A modus where you wear many persona’s. The mask are in variety in colors that represents a certain character. You can also type a certain personality on your own personas. To capchalogue an item, you have to match a certain persona that matches or similar to the item.
Limit: The maximum storage contains 16 items. Over 16 items would refuse the recent item unless you remove an item or combine one of them. If successful, the item would be capchalogue and freely gain access with wearing a mask. If your didn’t match a right mask or was unsuccessful, the modus card would eject the last item you capchalogued at you.
Binary Modus: You can summon any item by converting the letters into binary coding. This modus must be navigated manually and you can also search for item numbered too.
[Ex. 01001001 01000011 01010101 01010000] Wait a second...Eww man.
Limit: Unlimited storage unit and when summoning an item, it has to be a real thing. Sorry but no bear-cat-rabbit-elephant thing or completely made up words would appear. Especially, you can’t summon huge items like a building or the sun. That can just break your modus. Please limit yourself there buddy.
Dominoes Modus: No, sadly you can’t order pizza. When you capchalogue an item, many dominoes from the card spill out and you have to assemble each and every domino to the other.
Limit: there are 6 inventories you can capchalogue. Nothing more, nothing less. More than 6 would eject the last item.
Dartboard Modus: You can freely capchalogue an item, but retrieving an item can summon a dartboard. You need to throw a dart at one of the rings or bullseyes. The less important items are on the large farther rings and the more important ones art in the smaller rings and bullseyes,
Limit: you can store 82 items. Now that’s a lot but you need to have good aim. Hitting the center of the bullseye can randomly give you an important item for the future.
Prey Modus: When an item is capchalogued, it would spawn a small animal. These animals would depend on what the item is. if the user wants to get the get the item back, they will have to fight and kill whatever creature the item has been allocated to. once the creature is dead, the item appears
[Ex. a computer mouse would spawn a weak mouse (ayy)]
Limit: You can only store 8 slots and over more than 8 can have an animal come out depending on the item. Hopefully you don’t eject any important items. Anything important would release an animal that is not a prey or maybe a replica of the first guardian.
Shuffle Modus: Every time you capchalogue an item, it changes every second with other items you also capchalogued. It can be lucky or unlucky depending how your going to draw this.
Limit: It can hold as much as any items. The more you add items, the more frustrating it gets to retrieve the item you want.
Backpack Modus: This modus can store items by the cards weight which is also a backpack. You can simply open the backpack to retrieve and item. You can capchalogued the backpack itself, but I don’t think your fetch modus can handle the weight you put into there.
Limit: Feel free to store the amount of junk you can carry as it can weigh you down. It acts like a normal backpack. What else should I say?
“Stack” Modus: Haha no, it’s a Massive Ejection Modus you fool. It may look like a normal stack modus but can intensity eject massive amounts of items at once that are multiplied by 100. Once you want to retrieve it, 99 copies eject violently from the captchacard and explode out of your card. Its mostly going to destroy mostly anything and injuring anyone near you.
Limit: Basically you only have one slot inventory and that’s sad. Is this modus even legal!?!? Ejecting 99 items at someone can be potentially be a strife specibus. Just saying.
Wardrobe Modus: This modus can capchalogued any articles of clothing. Attempting to captchalouge something other than clothing will result in said item being sent somewhere you can no longer receive. This is pretty useless like the other mentioned modus we talked about.
Settings:
Hat mode- A place where your hats can live in harmony with other simpleton hats.
Earrings mode- Fancy, expensive, or cheap earrings can come join.
Glasses mode- Look at you nerd. Or cool kid. Whatever you are.
Shirt mode- Look, there are many things you can put on there. The most likely to be over flowed.
Pants mode- Or skirts, shorts, or anything that goes on your legs
Socks mode- A hell place where all sinful gross smelly socks and clean socks go.
Shoes mode- Just don’t put those dirty shoes on the wood. Keep them clean and dry.
Limit: you have unlimited storage and only meant for clothes. This is perfect for people that don’t know where else to put their seasonal clothes to. Summer, fall, winter, spring, you name it.
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A TARANTULA GUIDE - nearly done! :D
I just got my marks so this is the first look at the tarantula guide book I put together for my final project for my mediadesign ... what´s the english word for Ausbildung again? Anyways this is what it looks like so far (sneak-peek!), I expect to still have to iron out a lot of mistakes still as professional feedback is still pending and some of the topics were victims of time crunch.
As we were not meant to write our own texts and are being graded solely on the design, I had to copy parts (from wikipedia (sorry, it´s good for anatomy) and tarantula websites made by people far more knowledgeable than me) to get it done in time without resorting to using filler text as one of my profs suggested (no SIR I will NOT get rid of these texts, yes there´s a lot that´s were all the information is supposed to be! Designers I swear).
All the illustrations were done by me and I really hope to add more until I can print it (for myself, no money involved)!
(Click for the crisp)
(please excuse the mockups) The cover is black because everything I make is black for some reason, the illustration is supposed to look like Da Vinci´s Vitruvian Man although I decided against drawing sixteen legs - eight is quite enough. Photoshop literally hates me so I had to draw this twice two days before the deadline :(
Each new topic is introduced by a title page with a white illustration on black ...
... which is then mirrored on the inside of the chapter in black on white. Pure Magenta (okay so everything I make is black and white with fun colors if you leave me alone for too long. Sue me). I wanted to take a look at different reasons for arachnophobia - which of course most tarantula people don´t really need but I wanted it to be as well-rounded as possible, going over definiton, anatomy, phobia, mythology and myths, venom, bodylanguage, molting, sexing, mating, setups, feeders and slings as well as a small selection of typical beginner species (yeah there´s way too many to name but it´s supposed to be like a small primer for the ones new in the community - like me! I didn´t have one when I put this together but I do now!)
parts from body language and venom chapter
(help girl I love block text layout too much but it´s a bitch to put around some illustrations) I had a hard time choosing which mythological spider stories to take but I must admit favorites won out at the end so I went with the classics!
Molty time! This time with some red. Every chapter gets one little extra color if needed for the illustration
some info on enclosures (the mockup wasn´t happy with this one, I think it´ll look better in real life as the book binding I chose so far will accomodate the illustration a bit better)
there be a small selection of dirt :>
Can´t forget dinner of course, have some.
I debated for a long time how much to put into the species descriptions as I didn´t want to go overboard and like I said, still don´t have enough experience to call myself anywhere near knowledgeable. So I went with some small trivia to provide a little information, with the general idea that anyone interested enough would be doing their own research on which species to get and why.
I often tried to put an emphathis on reaching out to others in the hobby and doing your own research a lot because I feel this is the best way to get into the hobby.
Anyways, the whole thing is a good 100 pages long by now, with some more being planned. The full layout is 165 x 245mm when closed, I used Gentium Book Basic for long texts and Bely Display Regular for headlines and similar :3 We had roughly eight weeks to start and complete our projects and I still can´t believe I actually finished it in time. I think I drew about 45 spiders (and critters) that made the final cut into the book so far xD
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Deathless
Title: Deathless
Media: Book, Author: Catherynne Valente
Yandere(s): Koschei the Deathless (Or as Julie and I like to call him: “Kosher”)
Yandere Scale: 1/5 (Julie: 0/5)
Criticism written by: Kai
Editor: Julie
Before we begin, Julie and I have two different views on this book. To keep things clean, I did the review while Julie did an analysis; which you can read here.
The Review:
Sigh… Kai here, back with another review. This time I’ll be reviewing the confusing and difficult to follow novel: Deathless. Bear with me as we go down this rabbit hole of a review.
Now booting Kai 2.0 … Version: Salty
Deathless is a story about… uh… Deathless is a tale about a girl named Marya (Mary? Maria? Idk how to pronounce any of these Russian names if it’s not Ivan or Dimitri.) who get whisked away by the tsar of life: Kosher- I mean Koschei and become his wife. In the beginning of the book, Marya was seduced by Koshei and his magical lifestyle. After succeeding in the three tasked made by Baba Yaga (yeah, IDFK. Apparently the Baba Yaga and Koschei are siblings), Baba Yaga gives her blessing to Marya and Koschei’s wedding. But Marya was warned that she would leave Koschei in the future and fall in love with a man named Ivan. Marya swears that’ll never happen; she’ll kill Ivan and eat his heart. Immediately starting in part 2, Marya falls in love with Ivan in the middle of fighting a war with Koschei’s brother (IDFK man, this shit is hard to follow). Marya runs away with Ivan and together they suffer in hunger and poverty. Koschei goes running to Marya and begs for her to take him back. Marya locks Koschei up in her basement (fuck man, I’m so lost) and had Ivan promise to never look in the basement. For a time, things seem to be well with Marya fucking Koschei in the day and banging Ivan at night. But Ivan, being a nosy motherfucker, looks in the basement and discovers Koschei. After Koschei tricks Ivan to give him some water to drink, Koschei regain his magic and kidnaps Marya. Now in part 3 (the final part), Marya and Koschei are living a happy married life in a small Russian town with happy villagers. Things are going swimmingly till Marya gives birth to a little girl… that little girl being the embodiment of Koschei’s death. Koschei died and Marya is freed. Turns out that Koschei had the two of them trapped in a peaceful dream within an egg. But the thing is, Koschei’s death is hidden within an egg… which is why he died (Don’t look at me, I’m fucking tripping as it is as I’m recalling the story). Now back in the real world, Marya looks for Ivan; who was dying from old age. After watching Ivan die, Marya moves on and discovers a town like the town in the dream. There, all her fairytale friends are living there as humans.Only the Baba Yaga recalls Marya and explains how Koschei’s brother won the war and turn all the mystical into the normal. Koschei is still alive in the village and Marya decided to visit him to see if he remembers her… I guess. The ending is ambiguous.
Anyways… what the fuck did I just read? Well… Julie and I technically didn’t read the full novel. Our knowledge comes from a combination of: an 11 hour audiobook of Deathless (which we didn’t finish because we were confused as fuck), the wikipedia summary, two reviews on Deathless, and the actual hard copy of the actual book (which we didn’t finish because we were confused as fuck). Let me just complain here and say this book is damn near unreadable and almost unintelligible. First, people talk as if they’re the goddamn Riddler from Batman. Characters were unable to straight up say what they mean, phrases have double meaning, and it was like reading the writings of Dr. Seuss’s less talented brother. Descriptions were just a fucking pain in the ass to comprehend. Everything about this book was a fucking mental gymnastics. Julie and I had to stop every five minutes to decode what the hell is going on.
You see that? All that flowery words bullshit? Marya is just throwing up. JUST SAY SHE’S THROWING UP AND MOVE ON. CHRIST. It took Julie and I three minutes to figure out what this description was suppose to be about. And this was one of the easier descriptions. It doesn’t even help that the story itself is just plain nonsensical. It felt like I was reading the words of the author after she puked out alphabet soup. Already, Deathless was basis on a Russian folktale that was already wild. With the combination of awful dialogue and confusing description, it was just a maze of a book to traverse.
I get some people will argue with me that this is a good book. For one, I probably just don’t understand it because it’s not my culture. Sure, you might be right. But so is the author… Catherynne is an American. Not Russian. Besides, the original folktale that Deathless is based on was easier to follow than this crap. Next argument some might have is that “Deathless is too sophisticated for your simple mind to handle.” No. It’s not. It’s ridiculously complicated for no reason. Complicated does not mean well written. There is nothing wrong with writing something simpler… you’re trying to create a novel that all adults regardless of age can understand. Truth be told, the writing in Deathless reminds me of the stuff you’ll find in creative writing class. This sort of story would get notes everywhere saying “Less description. More action” or “What do you mean? Clarify.” You're not the next Da Vinci code but a storyteller. Can’t tell a story if it ain’t readable. To compare this book, I would compare it to those research papers you would read in college. Lots of information but written by someone who’s trying to sound smart.
Moving on from my bitching, let’s talk about the one thing people care about the most: the yandere and characters. Based on what Julie and I were able to figure out, Koschie is the supposive yandere here. First let’s talk about him. Besides talking like the chester cat from Alice in Wonderland, Koschie was a surprisingly passionate guy who really cares about Marya. The best scenes with Koschie are the scenes when he isn’t talking and just physically showing his physical affections for Marya (lol). You know the phrase: “You look better with your mouth closed”? That fits perfectly for Koschie. Koschie’s physical interactions with Marya is the only straightforward thing with this entire novel.It was the rain in a desert. Anyways… even though Koschie was a passionate guy, it doesn’t make him a yandere. He breaks many of our rules… but the biggest one he broke was that Koschie still fucks other women besides Marya and keeps a collection of his past wives in a factory. I know the anon explains that these wives were actually Marya in another cycle? But honestly, it doesn’t change anything for us. Btw, anon, you’re seriously a champion for figuring that out. Julie and I did not know at all that this was supposed to be a cycle at all. Shit… I feel like we’re a part of game theory for trying to figure out what this author even means. Spoiler alert: If you have to do a conspiracy theory on your novel, your book ain’t that great.
Sorry… back to Koschie. Anyways, Koschie says some pretty words here and there. He sounds pretty yandere on paper… I guess. But Koschie bangs other chicks and lets Marya bang other dudes too on the side. Sure, I guess this is a progressive poly relationship. Good for them. But poly relationship plus yandere? It just doesn’t mix. This ain’t it chief. Koschie skims on the edge of being a yandere and being not a yandere. Sure he kidnaps Marya, kill some dudes that have the name Ivan, and say some possessive shit to her, but the actions just doesn’t line up. I don’t know… with the cycle theory in play here, I just see Koschie as a broken man who’s trying to reclaim control over his life. Not exactly a yandere per say. Like imagine: getting cuckold by some normal human, over and over again. Shit, I would go crazy too. I feel really bad for Koschie for falling in love with/having a wife like Marya. Apparently, Koschie and Marya are the same type of people but idk man… Marya is kinda of a crazy bitch too.
I’ll just briefly talk about Marya now. As we all know, a female lead defines a yandere. And Marya? Yikes man. I don’t know where to start with her. First off, Marya somehow managed to be both smart and stupid at the same time. We see that she’s clever enough to solve Baba Yaga’s tasks but she so goddamn stupid. Because of her curiosity, she’s extremely meddlesome and got Koschie almost killed even though he told her not to fuck with the egg… yet she fucks with the egg anyways. Then we jump to part two where Marya is more jaded and blames Koschie for all her misfortune (Idk). It’s not like he did anything bad to her. Honestly, reading their interactions, Koschie has been nothing but a gentleman to her. Besides the fact he bangs other women and like to do some weird power play on Marya, he’s pretty chill. If anything, she brought her own misfortune herself. She chased after Koschie because she’s fascinated by magic and wanted to be part of that world. Now that she’s part of that world, she doesn’t want to bare the burden of it anymore and return back with the humans; with Ivan. Btw, Marya wanted to sort of “keep” both Ivan and Koschie at the same time (because she’s thirsty). I mean… I get the sentiment, but Koschie literally stated that he wasn’t comfortable with that but Marya had her bitchy mode where she scratched Koschie and told him not to talk to her in that way (Weird flex but okay?). Ivan wasn’t cool with the arrangement either, hence why Marya left with Ivan. But oh the irony. Marya left with Koschie to avoid suffering, hunger, and fascination for magic but now with Ivan, Marya returned back to a life of suffering, hunger, and the normal. Again, more irony, Marya and Ivan have a fight because of their lifestyle. This is the part where Koschie comes begging at her door. And Marya, only being able to think with her vagina now, bangs Koschie and locks him in her basement. Just like how Koschie did a weird power play over Marya, Marya now does a power play over Koschie. One of the more fucked up lines Marya said to Koschie was along the lines of, “Lol. Look at you. Trapped in my basement… waiting for my attention while you abandon the war outside.” Like mega yikes my dude. I know Julie and I asked for a twisted female protagonist, but we asked for a relatable twisted female protagonist. Not… this. I guess Marya is strong? But… weird. Honestly… I lost any relatability with Marya the minute she started bouncing between Ivan and Koschie. And with how… sadistic she became towards the end, I don’t blame Koschie’s action. That’s a broken man with possible stockholm syndrome at this point.
Anyways… to summarize… I don’t know what I just read. Story is confusing. Characters are weird. I just have a bunch of puzzle pieces in my hand and a couple of yandere like lines. I suppose I can appreciate Koschie as an aesthetic. He says some pretty neat things, physically sounds sexy, and does some yandere like actions. So… I give him one yandere pity point for the attempt.... He might have shine better if the story was actually good.
Overall score: 1/10
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Thank you so much for all the information.I knew about the director, but not about Christa Winsloe, who wrote the original play, or the fact that the writer was a lesbian. I will look for your blog, as I am interested in learning more about this film. I really appreciate if you recommend readings related to Winsloe's lesbianism and the fact that her play was inspired by her own life. Also, When the play was first published and whether there is any translation of it into English. I am sorry, if I am asking much, but I am really interested to read more. I watched this movie 11 years ago, and rewatched it recently. I wonder why I couldn't see how special it was before. I also wonder if it was inspired by Clemence Dane's novel, Regiment of Women (1917), or maybe vice versa, in case that the original play was published before 1917? I see much similarity between the two story-lines, and scenes, and characters, though the essence of the love relationship between the pupil and the teacher is completely different in these two works, as in Regiment it is manipulative, abusive, and non-mutual. Have you read Regiment, or any article discussing the connection between the two works? I also love the music so much. One of my all time favorites, or maybe the best. I never get tired of watching your video. :)
(Source: another comment to my video (Mutual Love at First Sight - Mädchen in Uniform https://www.youtube.com/watch?v=-bJVYYV3dLE) by Xena Gabrirlle.)
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Hello again :D
At first, sorry, the title of the book in German is Das Mädchen Manuela, and this is the tag on dorothea-wieck but the link in description is correct.
Warning. The answer is very long, and it's muuuuch longer than I thought. I suppose, no complains from both sides (my writing and your reading of this is/will be enjoyable.) Mädchen in Uniform is my yyyeeess, but Christa Winsloe /with or without MiU is so much yes.
Also, sorry for the long links, but I think about shitty redirecting which Tumblr uses and if it's wrong all the links are not links.
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Yes, I can recommend you something. I'm one of lucky owners of Christa Winsloe's autobiography, but it's in German. (I have almost no German, but I've read a little with 100% help of Google translate and some other sites.) You can be a lucky owner too. eBay has the best variants to chose from, so search for Auto-Biographie und andere Feuilletons. (Yes, it's also about Christa's love of cars.)
Also, I would recommend Christa's (semi?)-autobiographical book Girl Alone about her lesbianism (including a way of finding her real lesbian self *(me) waving by pride flag*), but Amazon has no copies *Whyyyyy??? T_T* If I'm not mistaken it's in English originally (!!!). Winsloe was giving English lessons in her early 20's, so I think writing in English was easy for her.
SEARCH HERE: www.amazon.com/GIRL-ALONE-Christa-Winsloe/dp/B006G3YZB0/ref=sr_1_1?ie=UTF8&qid=1530739149&sr=8-1&keywords=Girl+Alone+Christa+Winsloe
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NOW, ARTICLES (not too much details, or it will be endless):
1) "The fact that her play was inspired by her own life."
Hertha Thiele's (Manuela) interview with a little bit about Christa. The article starts with info about the film, about Thiele & some info from two interviewers about Thiele's opinion on MiU, etc.
It has my most favourite Christa's quote (the only one known apart from what she wrote???) This is also about me. "The experience (life at boarding school Stift) is one which I had to write from my heart."
tlweb.latrobe.edu.au/humanities/screeningthepast/reruns/thiele.html
2) It was found via Tumblr. How first of two known Christa's partners/lovers/girlfriend's, Dorothy Thompson fell in love with Christa Winsloe and about their relationship. That Fateful Christmas, 1932 (my title.) There's also a few pictures with Christa. However, her portrait with autograph (!!!) is on another site too. I've found the photo a few years ago via Google, but source was different.
http://www.eclecticatbest.com/2012/12/dorothy-thompson-and-sinclair-lewis.html
3) Yesss, the photo with autograph is part of short biography in German
http://www.fembio.org/biographie.php/frau/biographie/christa-winsloe/
4) A little bit similar to #2. This is where I found my most favourite Christa's photo which is profile picture on YouTube.
http://thisrecording.com/today/2014/7/10/in-which-dorothy-thompson-could-not-forget-vienna.html
5) I suppose I stumbled upon this article long ago, but I don't remember reading it. At least, I remember this user. https://elisa-rolle.livejournal.com/2112318.html
!!!!!! 6) There somewhere were 2 parts of a very rare article. . . I have to find the parts again . . .
Yesss, Google search querie Christa Winsloe Erika Mann (the last played Fräulen von Attems who taught girls how to play in 1931 movie version) gave what we need, but the second part.
Title: Maedchen in Uniform. From repressive tolerance to erotic liberation. Author: B. Ruby Rich
So, here are both parts:
https://www.ejumpcut.org/archive/onlinessays/JC24-25folder/MaedchenUniform.html
https://www.ejumpcut.org/archive/onlinessays/JC24-25folder/MaedchenUniform2.html
7) Oh, and don't forget to read Wikipedia (Christa and MiU):
https://en.wikipedia.org/wiki/Christa_Winsloe
German version is probably more detailed, but (I forgot to mention) it has Christa "Kate" Winsloe. LOL, Käte is Manuelas Mutter in the book. Therefore Christa made part of herself related to Manuela through mother. (I can talk about this and other similar "coincidences" forever, just ask for more.)
https://en.m.wikipedia.org/wiki/Mädchen_in_Uniform
Articles found after "asking" Google. I've never read them before or completely now.
8) Mostly about Christa + MiU, and a little about a few years after.
http://www.lesbengeschichte.de/Englisch/bio_winsloe_e.html
9) The movie (and the book) is based on the play "Gestern und heute" (Yesterday and Today). Something about it (15 pages).
https://www.academia.edu/1780103/_Yesterday_and_or_Today_Time_History_and_Desire_in_Christa_Winsloe_s_Mädchen_in_Uniform_._In_German_Life_and_Letters_65_2012_457-471
There are much more (something new, not repetitions), I suppose. You can simply search Christa Winsloe on Google, but I think this long list is enough.
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"When the play was first published and whether there is any translation of it into English."
Going back to article #1, "Winsloe was a lesbian. She wasn't even sixteen when she married Baron von Hadvany (There's an) - the marriage only lasted two or three days, yet they both remained in contact for a long time. I met the Baron shortly before Christmas in 1930 on the occasion of the Leipzig theatre premier of Rittner Nerestan (which I later called Gestern und heute - Yesterday and today)."
Sorry, I don't remember where I read it, but I distinctly remember that the first version of the book (Rittner Nerestan, as we can say judging by Thiele's words) had been written during Christa Winsloe's marriage.
Somehow another articles says that Christa had been married for years. In one article was info that she left Ludwig von Hatwany and moved ??? (place was mentioned). Anyway, I suppose the info that ex-husband helped Christa by money is true. Christa is a great sculptor and artist (drawings), so I'd like to use second part of a pun found on Tumblr (about her marriage). "The details are sketchy."
Christa was born on 23.12.1888, so she turned 16 in 1904. Therefore, according Hertha Thiele this can be the year.
However, the play on the stage was in 1930 (because it was a year before the movie), and final version was probably written in 1933 as Amazon says https://www.amazon.de/Das-Mädchen-Manuela-»Mädchen-Uniform«/dp/3861995387 Despite of this, my memory gives 1932 as the year. Maybe it's just the difference between finished book and publication.
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The book yes, is translated, but I have no idea if the first play survived ever the way as it was in German.
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"I am sorry, if I am asking much." LOL, don't be sorry, another Christa's new fan. Honestly, because of my habit of trying to talk (to almost everybody who asking/commenting about MiU which has happened rarely) about Christa, I suppose there are ~5 of females who became her fans, and you are the 6th :D
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"I watched this movie 11 years ago, and rewatched it recently." Wow, 2007??? You were lucky.
I watched it on 11.24.2011 only because I wanted to watch teacher/pupil, but couldn't believe this was possible. Then I found MiU on one of the lists on Wikipedia (lesbian movies, not LGBT ones, I'm sure). Happily, it's not tragedy, so I decided to watch.
I've watched parts too many times to count, and even listened to parts as audio. German pronunciation is sooooo beautiful.
" . . . and rewatched it recently. I wonder why I couldn't see how special it was before."
Agree 100% with part since "how". The reason why MiU is special for me is it's higher rated, boarding school-included (instead of public one), more emotional (Manuela's part before she tried to end her life) version of my since 11 to 13 y.o. past.
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"I also wonder if it was inspired by Clemence Dane's novel, Regiment of Women (1917), or maybe vice versa, in case that the original play was published before 1917?"
Hmmm . . . We both have no idea now. If Hertha were right, The play was written in 1914, so . . . maybe?
Honestly, I haven't even heard about this book. BUT it's seems like a challenge forms to try to turn "manipulative, abusive, and non-mutual" relationship into completely opposite. *rubbing hands in anticipation*
https://en.wikipedia.org/wiki/Regiment_of_Women Ooooh YES, yes, yes, this book is very similar to MiU, and now I have some ideas even before reading. Thanks :DDD
● Update: YAY, I’ve found Regiment of Women by Clemence Dane on Play Books (complete and free), thanks to gutenberg.org 😁😁😁😁😁😁😁 (This is also a separate post with main tag #XenaGabrielleAsk)
Also, I've found (accidentally) own post and your mentioning the book probably solves the mystery I've been unable to solve until now. Manuela is in love with the Headmistress??? Yes, you read these words exactly. (Sorry, my English wasn't good then, and I can't correct the post :( ) http://dorothea-wieck.tumblr.com/post/58436934031 (Whole part of an article with my comments.)
ALSO, later update: http://middleagedwomen-curves.tumblr.com/tagged/tell-me-your-story/chrono It's females' stories about their crush/love, and a lot are teachers ❤ It's sooo interesting and also some can be used as ideas.
Ooooh, thanks to Instagram there are some similar great pictures, but Google found one as text also. Imagine Fräulein von Bernburg's doing this to Manuela. "Before you kiss a girlーgrab her waist, pull her closer to your body, look into her eyes, look at her lips while you're biting yours look back at her eyes again, grab her face gently, then slowly lean in and kiss her. It'll drive her crazy, I promise.
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Since you're MiU fan, I can recommend you something better than a manipulative teacher.
1) Have you watched Cracks? LOL, I have a blog about this too (but it hasn't been updated for a number of years.) http://cracks2009.tumblr.com No spoilers, except I'm 1000% sure main girl will never abandon her dearest teacher. Also, it's based on a book by Sheila Kohler. My long search gave nothing, so I had to buy this book. Somehow, eBay had a cheap brand new one.
2) How about Loving Annabelle? The info everywhere is that it's ~ based on/similar to/remake of MiU 1958, but nothing about 1931 version *angry* But it has some wonderful f/f scenes :DDD Alternative end is the only reason for YES, instead of *why the Hell it ended this way?*
3) Bloomington is about a student and college teacher, but it has f/m in between because of almost "I hate you" (not at the same time), and split up in the end :(
4) Olivia, 1951? It starts almost like MiU when main character is a new pupil at boarding school. BUT no teacher/pupil kiss, only pupil/pupil. However, the girl loved her teacher so much, and was looking at her (when she was reading to the girls) almost like Manuela.
I watched it once in 2012? (and maybe rewatched lesbian parts later), but it's what I remember about lesbianism there.
● Update 5) I've found a post here on Tumblr and remembered Matilda by Roald Dahl Great Children's book. There's also movie, but I've not watched it completely yet. (No spoilers, if you don't know, but it's the happiest ending of sll teacher/ pupil f/f if a few I've ever read or watched.)
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"I also love the music so much. One of my all time favorites, or maybe the best."
YES?! YES? I thought of commenting that it's probably my most favourite classical piece. GREAT.
● Update: https://www.youtube.com/watch?v=DZdiY1pTaR4 is the video the music is from.
Aaaand: https://dorothy-zbornak.tumblr.com/post/57970831013 This is version as a song in Polish :D I added original lyrics and translated it in English (I understand all (except one line) finally.)
Oh, also there were periods in the past (during a few years until a couple of years ago) when I listened to song version many times + music version too (but much less times) on repeat and am listening now too *happy*
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"I never get tired of watching your video. :)"
THANKS. I tried (but there's one grammatical error, unfortunately).
I thought I did it in another video, but this one has it more than one timeーlonger kiss.
Part from Hertha's interview, "When the film went to Romania, a letter came from the distributors there, asking `Please, twenty more metres of kissing'." I wanted this too, since the moment I'd read these words, and I found a way (not 100% realistic as it's clearly a freeze frame at least one time, but yes, it IS longer.)
You can look for more MiU-related videos on my channel. I have some fan-fictions/drabbles about Elisabeth (von Bernburg)/Manuela too.
http://dorothea-wieck.tumblr.com/tagged/fanfiction (there are some that aren't mine, though), but I can look and give link to each if you need.
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Oooh, have you ever watched Anna and Elisabeth? The same Wieck and Thiele as lead characters. My 2nd of top 3 lesbian films (and I wrote fan-fictions too; because these two must be happy together as characters).
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● Update: The end of your first comment, "the maker/director was a woman and as some scholars suggenst probably a lesbian herself." I forgot about it/forgot to comment. Yes, you're right about Leontine Sagan (Schlesinger // Wikipedia confirmed I remember right.) I read about it somewhere. Also, she played everybody's favourite E.v.B on stage. There are 2 posts from her book Light and Shadows (bought and upload by a girl from East Russia.) http://dorothea-wieck.tumblr.com/post/114300921565 http://dorothea-wieck.tumblr.com/post/114397860189
She's much better looking than masculine 50 y.o. Meltzer? in the very first version in 1930 on stage in Leipzig (Hertha Thiele was chosen by Christa Winsloe for stage, and for the movie probably too, but there were many girls who tried, so Thiele wasn't sure (she would be chosen for the movie too).
I don't know if I'm the one, but Sagan as Bernburg look like combination of Dorothea Wieck and Christa Winsloe (oh, the director of the movie playing E.v.B. on stage look like E.v.B. in the movie + MiU's author). Great.
Also, once I went a little too far and . . . (AU visual story (with terrible proportions due inability to correctly combine wide-height of original and new part(s)) based on Thiele's interview) http://dorothea-wieck.tumblr.com/post/87629548774
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Hope we'll talk more soon.
You can send me an ask (but it won't allow much of a text) http://dorothy-zbornak.tumblr.com/ask, or send a submission (longer) on dorothea-wieck.tumblr.com (I made ability to submit only there), but it will be answered on dorothy-zbornak.
If you have any better ways, I'm ready to think about any.l
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How to Write Meta Descriptions in a Constantly Changing World (AKA Google Giveth, Google Taketh Away)
Posted by Dr-Pete
Summary: As of mid-May 2018, Google has reverted back to shorter display snippets. Our data suggests these changes are widespread and that most meta descriptions are being cut off in the previous range of about 155–160 characters.
Back in December, Google made a significant shift in how they displayed search snippets, with our research showing many snippets over 300 characters. Over the weekend, they seem to have rolled back that change (Danny Sullivan partially confirmed this on Twitter on May 14). Besides the obvious question — What are the new limits? — it may leave you wondering how to cope when the rules keep changing. None of us have a crystal ball, but I'm going to attempt to answer both questions based on what we know today.
Lies, dirty lies, and statistics...
I pulled all available search snippets from the MozCast 10K (page-1 Google results for 10,000 keywords), since that's a data set we collect daily and that has a rich history. There were 89,383 display snippets across that data set on the morning of May 15.
I could tell you that, across the entire data set, the minimum length was 6 characters, the maximum was 386, and the mean was about 159. That's not very useful, for a couple of reasons. First, telling you to write meta descriptions between 6–386 characters isn't exactly helpful advice. Second, we're dealing with a lot of extremes. For example, here's a snippet on a search for "USMC":
Marine Corps Community Services may be a wonderful organization, but I'm sorry to report that their meta description is, in fact, "apple" (Google appends the period out of, I assume, desperation). Here's a snippet for a search on the department store "Younkers":
Putting aside their serious multi-brand confusion, I think we can all agree that "BER Meta TAG1" is not optimal. If these cases teach you anything, it's only about what not to do. What about on the opposite extreme? Here's a snippet with 386 characters, from a search for "non-compete agreement":
Notice the "Jump to Exceptions" and links at the beginning. Those have been added by Google, so it's tough to say what counts against the character count and what doesn't. Here's one without those add-ons that clocks in at 370 characters, from a search for "the Hunger Games books":
So, we know that longer snippets do still exist. Note, though, that both of these snippets come from Wikipedia, which is an exception to many SEO rules. Are these long descriptions only fringe cases? Looking at the mean (or even the median, in this case) doesn't really tell us.
The big picture, part 1
Sometimes, you have to let the data try to speak for itself, with a minimum of coaxing. Let's look at all of the snippets that were cut off (ending in "...") and remove video results (we know from previous research that these skew a bit shorter). This leaves 42,863 snippets (just under half of our data set). Here's a graph of all of the cut-off lengths, gathered into 25 character bins (0–25, 26–50, etc.):
This looks very different from our data back in December, and is clearly clustered in the 150–175 character range. We see a few Google display snippets cut off after the 300+ range, but those are dwarfed by the shorter cut-offs.
The big picture, part 2
Obviously, there's a lot happening in that 125–175 character range, so let's zoom in and look at just the middle portion of the frequency distribution, broken up into smaller, 5-character buckets:
We can see pretty clearly that the bulk of cut-offs are happening in the 145–165 character range. Before December, our previous guidelines for meta descriptions were to keep them below 155 characters, so it appears that Google has more-or-less reverted to the old rules.
Keep in mind that Google uses proportional fonts, so there is no exact character limit. Some people have hypothesized a pixel-width limit, like with title tags, but I've found that more difficult to pin down with multi-line snippets (the situation gets even weirder on mobile results). Practically, it's also difficult to write to a pixel limit. The data suggests that 155 characters is a reasonable approximation.
To the Wayback Machine... ?!
Should we just go back to a 155 character cut-off? If you've already written longer meta descriptions, should you scrap that work and start over? The simple truth is that none of us know what's going to happen next week. The way I see it, we have four viable options:
(1) Let Google handle it
Some sites don't have meta descriptions at all. Wikipedia happens to be one of them. Now, Google's understanding of Wikipedia's content is much deeper than most sites (thanks, in part, to Wikidata), but many sites do fare fine without the tag. If your choice is to either write bad, repetitive tags or leave them blank, then I'd say leave them blank and let Google sort it out.
(2) Let the ... fall where it may
You could just write to the length you think is ideal for any given page (within reason), and if the snippets get cut off, don't worry about it. Maybe the ellipsis (...) adds intrigue. I'm half-joking, but the reality is that a cut-off isn't the kiss of death. A good description should entice people to want to read more.
(3) Chop everything at 155 characters
You could go back and mercilessly hack all of your hard work back to 155 characters. I think this is generally going to be time badly spent and may result in even worse search snippets. If you want to rewrite shorter Meta Descriptions for your most important pages, that's perfectly reasonable, but keep in mind that some results are still showing longer snippets and this situation will continue to evolve.
(4) Write length-adaptive descriptions
Is it possible to write a description that works well at both lengths? I think it is, with some care and planning. I wouldn't necessarily recommend this for every single page, but maybe there is a way to have our cake and eat at least half of it, too...
The 150/150 approach
I've been a bit obsessed with the "inverted pyramid" style of writing lately. This is a journalistic style where you start with the lead or summary of your main point and then break that down into the details, data, and context. While this approach is well suited to the web, its origins come from layout limitations in print. You never knew when your editor would have to cut your article short to fit the available space, so the inverted pyramid style helped guarantee that the most important part would usually be spared.
What if we took this approach to meta descriptions? In other words, why not write a 150-character "lead" that summarizes the page, and then add 150 characters of useful but less essential detail (when adding that detail makes sense and provides value)? The 150/150 isn't a magic number — you could even do 100/100 or 100/200. The key is to make sure that the text before the cut can stand on its own.
Think of it a bit like an ad, with two separate lines of copy. Let's take this blog post:
Line 1 (145 chars.)
In December, we reported that Google increased search snippets to over 300 characters. Unfortunately, it looks like the rules have changed again.
Line 2 (122 chars.)
According to our new research (May 2018), the limit is back to 155-160 characters. How should SEOs adapt to these changes?
Line 1 has the short version of the story and hopefully lets searchers know they're heading down the right path. Line 2 dives into a few details and gives away just enough data (hopefully) to be intriguing. If Google uses the longer description, it should work nicely, but if they don't, we shouldn't be any worse for wear.
Should you even bother?
Is this worth the effort? I think writing effective descriptions that engage search visitors is still very important, in theory (and that this indirectly impacts even ranking), but you may find you can write perfectly well within a 155-character limit. We also have to face the reality that Google seems to be rewriting more and more descriptions. This is difficult to measure, as many rewrites are partial, but there's no guarantee that your meta description will be used as written.
Is there any way to tell when a longer snippet (>300 characters) will still be used? Some SEOs have hypothesized a link between longer snippets and featured snippets at the top of the page. In our overall data set, 13.3% of all SERPs had featured snippets. If we look at just SERPs with a maximum display snippet length of 160 characters (i.e. no result was longer than 160 characters), the featured snippet occurrence was 11.4%. If we look at SERPs with at least one display snippet over 300 characters, featured snippets occurred at a rate of 41.8%. While that second data set is fairly small, it is a striking difference. There does seem to be some connection between Google's ability to extract answers in the form of featured snippets and their ability or willingness to display longer search snippets. In many cases, though, these longer snippets are rewrites or taken directly from the page, so even then there's no guarantee that Google will use your longer meta description.
For now, it appears that the 155-character guideline is back in play. If you've already increased some of your meta descriptions, I don't think there's any reason to panic. It might make sense to rewrite overly-long descriptions on critical pages, especially if the cut-offs are leading to bad results. If you do choose to rewrite some of them, consider the 150/150 approach — at least then you'll be a bit more future-proofed.
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REVIEWING THE CHARTS: 28th July 2019
This is going to be pretty short and rushed I imagine, but we’ll see.
Top 10
Now, we have a funny top four, similarly to last week, full of Ed Sheeran, but not at our top spot, as “Senorita” by Shawn Mendes and Camila Cabello is back at #1 for a second week after our number-two took it last week.
Our number-two, by the way, down one spot from last week, is “Beautiful People” by Ed Sheeran featuring Khalid. Now, the rest of the top four is Ed Sheeran.
First of all, at number-three, we have “I Don’t Care” featuring Justin Bieber returning at number-three, which, due to nonsensical chart rules, must be some kind of record for highest re-entry ever on the chart. We’ll talk about this more in the dropouts section.
Oh, yeah, and to my surprise, “Cross Me”, also by Ed Sheeran, featuring Chance the Rapper and PNB Rock is not moving at number-four. I figured this one would be in freefall.
Thanks to a Justin Bieber remix, and well, not much else, Billie Eilish’s “bad guy” is up eleven spaces to number-five? I’m puzzled about this one, honestly, if anyone could tell me what happened here I’d appreciate it; this should be floundering in the top 30 right now.
Thanks to the rise of “bad guy”, however, Lewis Capaldi’s “Hold Me While You Wait” is down a spot to number-six. Please drop off quicker, I’m begging you.
Also down a single spot on the chart is AJ Tracey’s “Ladbroke Grove” at number-seven.
Eilish claims another victim as MIST and Fredo’s “So High” is also down one spot to number-eight. Don’t worry, all of these songs will rebound.
Oh, and “Wish You Well” by Sigala and Becky Hill is also down a space to number-nine, but I’m still disputing the fact that song exists.
The #10 spot is, once again, held by Lil Nas X’s “Old Town Road” featuring Billy Ray Cyrus, Young Thug, Mason Ramsey and now that guy from BTS. Congratulations on a record-breaking 17th week at #1 in the US, but here in Britain, it seems oddly stable at #10, I expect streaming cuts to kill it any time now.
Climbers
Freya Ridings’ “Castles” is up eight more spaces off the debut two or so weeks ago, entering the top 20 at #18 and becoming her second ever single to chart there. I’m not complaining, it’s a pretty good song. Outside of the top 20, we have only one other gain here, and that’s “Ritual” by Tiesto, Jonas Blue and Rita Ora gaining more traction than I expected 12 spaces up to #28. I hope this doesn’t reach the top 20, it’s pretty trite and honestly would make an awful fit for Ora’s next album whenever in the next decade that comes out.
Fallers
We have plenty of these, however. First of all, “Goodbyes” by Post Malone and Young Thug continues its unfortunate slow-burning dive down five spots to #17, with “Someone You Loved” close in front by Lewis Capaldi at #19, thankfully down five spaces from last week. It’s not fast enough, but I’m just glad this is on its way out. D-Block Europe’s “Home” is down five to #25 after surprisingly staying pretty stable on its second week. The biggest surprise here, yet at the same time not a surprise to me at all, is Krept & Konan’s “I Spy” with Headie One and K-Trap collapsing down 14 positions to #32. While most British trap has a pretty short chart run, I at least expected this to last longer than any given D-Block Europe song. Oh, and “One Touch” by Jess Glynne and Jax Jones is on its way out down seven spots to #35 after pretty much flopping, especially considering it’s a Glynne lead single.
Dropouts & Returning Entries
Thanks to a nonsensical UK chart rule that to be fair made sense for situations like an Ed Sheeran album bomb, “Take Me Back to London” featuring Stormzy disappears entirely from its number-three debuts last week, and was replaced by “I Don’t Care”, which dropped out from #2 last week. It must be really confusing for those who don’t know all the chart rules to see stuff like this. Elsewhere, we have a couple dropouts so the new arrivals can move in, with “Bounce Back” by Little Mix proving that the damage control single doesn’t work, after dropping out of the top 40 in its sixth week from #34. Miley Cyrus’ “Mother’s Daughter” is out from #36, which isn’t a surprise, and neither is “Love of My Life” by Remedee, Not3s and Young Adz dropping out off the debut at #37. Young Thug’s “The London” with J. Cole and Travis Scott is also out from #38 and since we have no returning entries, let’s get straight to the new arrivals.
NEW ARRIVALS
#40 – “RAN$OM” – Lil Tecca
Produced by Nick Mira and Taz Taylor – Peaked at #11 in Canada and #19 in the US
I really did not want to talk about this song. This is... “Lil Tecca”’s first UK Top 40 hit (Yes, that is his name, it’s dreadful) and the 16-year-old’s first major-label single. He has like eight songs out and he’s essentially a younger, less interesting or even convincing A Boogie wit da Hoodie clone. A Boogie even has a song called “Ransom” that sparked a lot of buzz in him back when he started out. Some may say it’s the melodic New York trap scene repeating itself, I say it’s a clear “Homage” (Read: trend-hopping and copying another rapper for the sake of this complete nobody getting a lot bigger, especially now he has a label behind him). Nobody is talking about how he’s probably some kind of industry plant because nobody cares about the person, Lil Tecca, they care about the song, “Ransom”. This guy has no star power at all or even any potential as a legitimately interesting artist. Okay, let’s stop stalling and get to the meat and potatoes of this song, which are that hook and that video. The video, while uninteresting, was directed by Cole Bennett of Lyrical Lemonade and hence propelled the song to, you know, any sense of popularity, which it wouldn’t have gathered before at all, at least not to the heights of a worldwide smash and top 20 hit in the US. God, this guy infuriates me. I’m definitely going to talk about this song a bit more in January, if you catch my drift, but essentially, this song is melodic trap boiled down to its essence, with a Lil Tjay type beat carrying a Juice WRLD type rapper. There’s one barely-a-verse which lasts about 24 seconds, but the issue is the song is two minutes and 11 seconds long, and, yes, that chorus is infectious but not nearly as powerful as he thinks it is to carry the song for this long, especially since he has no charisma. It sounds like a Python programme wrote and performed a rap song, it really is some of the most monotonous, non-descript garbage to come out of SoundCloud rap. I hate this, it’s definitely on my worst list for 2019, and next!
#38 – “Sorry” – Joel Corry
Produced by Joel Corry
Is it bad that my first observation about this song is that some rapper is going to mention this in a sappy out-of-character love ballad? I mean, think about it, “Sorry” and Joel Corry rhyme. It’s going to happen. Anyway, who’s Joel Corry, you ask? Good question. His Wikipedia page or lack thereof redirects me to a record label called Ostereo which seems pretty successful, and they have a tiny paragraph on Corry. Apparently, he started establishing himself as a DJ on the MTV reality show Jersey Shore. This isn’t looking great, I know, but bear with me, he’s also a body-builder and now presents a radio show on KISS FM. Okay, so, really, much like Lil Tecca, he’s a complete nobody who got picked up by some big label who couldn’t care less about artistic intent, except this is a little more intriguing, considering Ostereo is an independent label and Joel Corry is a DJ, so I’m assuming it’s EDM and I’m right, but it seems snipped from a DJ set. You can tell in the intro, it sounds like the end of a song and an abrupt bleep transition, maybe that’s just for artistic effect but it doesn’t sound great. This is pretty standard deep pop-house, with an unnamed female vocalist singing over a lot of snare and keys, with plenty orchestral stabs to remind you a song is playing. Albeit oddly-mixed at times, the build-up is pretty affective, the drums sound cheap as hell though, as does that drop, it’s really anti-climactic and doesn’t really work at all. The final build-up and drop is admittedly pretty epic though, it gets rid of the anti-climactic minimalism and leaves just a club-ready synth melody over a lot of strings, it sounds really cool is what I’m saying. The build-up itself is manic as well, very interesting, and the singer seems to be a sample from Monsta Boy’s “Sorry! (I Didn’t Know)” featuring Denzie, and, yes, I know samples aren’t typically considered guest spots but the female vocalist is instrumental to this song and its success so surely a featured credit wouldn’t hurt. It’s not Denzie, and by the way, this is so much better than that Monsta Boy song thanks to how Denzie is one of the most incompetent singers known to man, and this female vocalist is actually pretty talented despite singing the exact same lyrics, and referencing Brandy, as in “The Boy is Mine” Brandy, which was unexpected. I’ve searched it up and I can’t find her anywhere, not even on the Genius page, so to me this is just a bit of a douche move.
Edit: I’ve done some extra research and the vocalist is Hayley May. It’s also from the Love Island soundtrack apparently, which makes me like the song a lot less on principle. I’d love to see more from May though, she doesn’t even have a writing credit on this song.
#36 – “Hate Me” – Ellie Goulding and Juice WRLD
Produced by Jason Evigan and The Monsterz & the Strangerz – Peaked at #18 in Hungary and #82 in the US
Oh, Ellie Goulding exists. Yeah, I forgot about that. Listen, I don’t hate Ellie Goulding, far from it, I think she’s fine, but at least lately after about 2015 or so, she has not been nearly as interesting as I want her to be, especially because the songwriting chops are definitely there. When I saw her collaborate with emo-rapper Juice WRLD of all people, I knew this would be far from interesting or good so I’m honestly starting to lose hope in that upcoming album, especially since her other singles “Sixteen” and “Close to Me” were far from special. This is Goulding’s 22nd(!) UK Top 40 hit and Juice WRLD’s third, and, yeah, this isn’t great. That hook is really desperate and this would work if her delivery wasn’t bratty and the lyrics really don’t fit and it feels very cluttered and rushed, like they’re just trying to get it over with... which makes sense, I mean that’s the topic of the song but it’s not convincing, because she wants an answer and she wants it quick, so she’d stop at nothing, surely, but the song’s really short and doesn’t really have any lasting impact. Juice WRLD doesn’t freaking exist, gladly, he doesn’t even join in with the chorus really, which by the third repetition gets really aggravating. The production is an airy mess with trap percussion and cloudy synths that cover Juice WRLD’s vocoder-fuelled performance to the point of not being able to recognise him. It’s not good at all, but I feel it’s just tolerable and bland enough for me to not dislike it. I never thought I’d say this, but Lil Peep did it better.
#12 – “How Do You Sleep?” – Sam Smith
Produced by Ilya – Peaked at #4 in Singapore and #29 in the US
Sam Smith’s second single from this upcoming new album and era, after the success of “Dancing with a Stranger” with Normani, seems to be a lot more energetic especially in comparison with his other two albums he’s released. He seems to have ditched the shoddy pop-soul and has gone straight into more danceable territory, which I’m not complaining about. I loved him on “Latch” and “La La La”, and thought “Dancing with a Stranger” was pretty cool, but other than that there’s not a single song by Smith that I like. Anyway, this is his 14th UK Top 40 hit, and you know what, it’s not bad at all. I love the twinkling synths that carry the song’s main melody, they’re cute but paired with trap percussion and intense sub bass can come off as both oddly sinister as well as infatuated, fitting with the content and subject matter of this song, in which Smith questions how his partner sleeps when he has Smith tangled in a toxic relationship which he can’t get out of, and that “love will keep them up tonight”. I love the second verse, where Smith admits he’s lost himself in his relationship through his subtly Auto-Tuned vocals that are still pretty impressive. The chorus is incredibly catchy while still being powerful and despite all this, that drop kind of sucks. After a great vocoder vocal bridge, the drop is really weak and squeaky, especially with that screechy synth tone, which doesn’t sound as melodramatic or pained as the rest of the song, and instead sounds incredibly lazy. It might grow on me, as the weeping of the drop is kind of humorous right now but could easily fit in with the song’s overall tone and mood, but we’ll see. Overall, this song surprised me, it’s actually really good bar from the trap and EDM elements possibly bogging it down a bit, I think Smith’s songwriting is definitely what shines here instead of Ilya’s production, which is disappointing since I usually love his production.
Conclusion
Yeah, I’m shocked too, but Best of the Week goes to Sam Smith for “How Do You Sleep?”, and Honourable Mention is reluctantly going to “Love Island anthem”, “Sorry” by Joel Corry featuring Hayley May, even if it’s not all that good, only decent. Dishonourable Mention is going to Ellie Goulding and Juice WRLD for “Hate Me” because of course it is, and Worst of the Week should be pretty damn obvious, it’s Lil Tecca’s for “RAN$OM”. Follow me on Twitter @cactusinthebank for more musical ramblings and I’ll see you next week.
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11/11/11 Tag Game
Thank you @dotr-rose-love for tagging me!
Rules: answer 11 questions, write your own 11, tag 11 people
1. Did you have alternate ideas for a wip that eventually didn’t make it in the story or were exchanged with a better scene or sth? If yes, tell us one or a few that you left out (could be just a character too, or a name) I think that for every wip I have a lot of alternates ideas that got shoved into the trashbin or didn't even got added into the story because they didn't fit. The most evident example is my Sci-Fi wip. It's the one that has changed the most during its long years of being a work in progress. From an idea of story for an rpg was reworked to became a novel, then that plot has changed to remove everything that was connected to other's work (since it started as setting for an rpg, I took some races and planets from sci-fi movies and such), then changed again to fit a better idea, and changed again to be then shoved in the corner after hitting a MajorPlotHoleTM that made the story go down the drain. In all these years and reworks only the characters kept to be all the same, maybe I changed partially them to fit the new idea but they still were the original ones.
2. Do you have a specific audience in mind for your wip? I have to admit that I don't have a specific audience in mind for Beyond the Veil, even if the story could fall into "new adult" genre since most of the characters age from 20 years up. But for what I'm thinking for the story, it will fit every one that love fantasy stories (or specifically urban fantasy ones) and that are searching something "lighter" than the dark-ish/gothic/gloomy ones I'm often seeing in bookshop shelves. While for a wip that I have in the backburner I think that it would be better for a grown-up audience since it (at least in my ideas) will be more on the horror side of mythpunk with biblical figures like devils, angels and whatnot.
3. Is it important to you that your wip has a moral or a message? I think that it could be nice if a novel has a moral or a message for the readers. I'm not good with morals and messages...like, I know I'd love to put some of them in my story but I'm not sure if I'll be able to mix them well in the story so everyone could find them. But for Beyond the Veil I'm trying hard to plan everything to give the message that everything will be better and...welp not saying anything else because it could be spoiler!
4. What kinds of relationships do you like writing the most (romantic, platonic, familial, etc)? I love writing friendships. The healty kind of friendships where each friend really care about the other. I was in a lot of unhealty friendships in which I gave everything and I got nothing except being laughed at when I wasn't there...so writing friends that are really caring about each other makes me feel good. In my stories you won't find only that kind of friendship, though. Life isn't always peaches and cream, so in my stories I try to reflect it.
5. What kind of research have you done for your wip? what have you learned? I love learning, so I love doing researches even when I find myself a couple of hours later learning about something not relevant for any wip. For my sci-fi I ended up collecting a bunch of scientific magazines, but this maybe it's not really relevant because I was always a science nerd and there always been some scientific-oriented stuff at home, but sometimes getting something new could help remaining up to date with new discoveries and such. For Beyond the Veil I'm mostly bounching back and forth from Wikipedia to some websites found while googling, but going into the next town library hoping to find something about local/Italian folklore I found a couple of books that are transcriptions of trials of witches and similar. For the horror-ish wip in the backburner I weirdly have to do less research...either because when I was a teen I tried to write an horror and got weird stares when I asked the librarian if they had something about torture and then left renting a book about black masses...and then proceeded to do some research online, I think that I still have a pdf copy of the "Bible of Satan" by LaVey somewhere in my laptop...and also because in the last years I did some research while playing in a homebrew urban fantasy rpg set in the Purgatory. I learnt...quite a lot of stuff I think? Maybe not the useful kind of stuff, but stuff that I could use in my works and that could be interesting or weird random notions that I could tell to someone.
6. If your wip became very successful, would you want to make a movie adaptation? why or why not? I think I already answered this in another version of the tag game, so I'm going to copy-paste it because heck yes.
"Gosh, yes! But I’d like to have a big part in realizing them choosing how to adapt the story, who to cast and so on, like Neil Gaiman with the Good Omens series and such. Also, screenwriting is one of my dream jobs."
7. Did you have any alternate title ideas for your wip? if so, what are they? The sci-fi, in its many reworks, has never changed its title: Otherverse. Maybe for some time had some variants like "Chronicles from the Otherverse" but usually I ended up keeping the original title. Beyond the Veil actually is a placeholder title, but looks like it could become the actual title since I never found anything else that I liked as title. Maybe when (and if) I'll complete it I'll know if I want to keep this or change it. The horror in the backburner has a title. And now I'm struggling to find a good plot that could fit the title (sorry, I'm not telling it since I never "officially" announced this new wip since as for now it's only a pinterest board and a mix of ideas in my head) or changing it and making it a chapter title.
8. What has been the hardest part about writing your wip so far? The plot. As I said in the past, for Beyond the Veil I came up first with the characters, then the generic setting and an even more generic plot for them. Now I'm facing some difficulties to make everything connect correctly and, most importantly, interesting. The plot was also a big part of the failure of my sci-fi, so I'm afraid that Beyond the Veil could face the same fate.
9. Do you prefer writing action or description? Description. I re-read one of my old writings, one that was an actual attempt to write something original and not fanfiction, and the chapters where full of detailed descriptions because I remebered that I was trying to put on paper the picture I had in my head. But, as a reader, I'm not really fond of too leghty descriptions so I'm always keeping myself in check to not over-describe stuff and - at least - describe stuff only when it's necessary and for how much is necessary to know. I feel that I'm not really good at writing action, but after years of text-based rpgs where in some you had to nail the action description correctly to have more probabilty of good results during quests, I think that now I have at least the basics for them.
10. What do you want your readers to come away with after reading your story? Uhhh...I think that this question could be linked to the previous one about the moral and message in the wip since my answer for that one could also answer this one...
11. What’s your favorite part about your wip? what makes you excited to write it? The characters. I love writing and seeing them interact with each other and seeing how they evolve during the story. You already know that I'm fond in particular of Luciel the Genie, but this is because they are a rework of the character I played for years in the rpg I previously talked, but I'm fond of all the characters I create. There are also some scenes in my mind that I can't wait to write...but the most important thing, apart from characters, is that Beyond the Veil is a wip that I started after years of writer's block and time spent (or wasted) on the sci-fi that never worked.
The heatwave today has gotten me and my brain is a bit fried by the heat, so the questions will remain the same and...I'm not tagging anyone. If you see this and want to do it, feel free to do so and tag me so I can read it! :D
#11/11/11 tag game#tag game#writing tag game#about corvo#mgcorvo-author#beyondtheveil wip#corvo answers#inthepitsofhell wip#otherverse wip
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